A Quote by Glen Duncan

I'm constantly dogged with a feeling of fraudulence, so if somebody tells me they like what I've written, then I immediately begin to think it's rubbish. — © Glen Duncan
I'm constantly dogged with a feeling of fraudulence, so if somebody tells me they like what I've written, then I immediately begin to think it's rubbish.
I think I have a great deal of self-hatred, a profound feeling of fraudulence, of being detestable and evil. It's only a part of me, but it's there, and it's active.
Drive-Bys want you to think that Donald Trump doesn't have a mind of his own. He's either doing what Steve Bannon tells him to do or he's either doing what Jared Kushner tells him to do or he's then doing what Gary Cohn tells him to do, and then sometimes he might do what Ivanka Trump tells him to do. They want you to believe he doesn't have a mind of his own, that he actually believes the last thing somebody tells him. I don't think that's how it happened.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
I was constantly being told I shouldn't talk so much about how I was feeling. They seemed to think I was giving too much away to my competitors. Showing signs of weakness. But I've always thought that was rubbish.
But, you know, when I look at somebody like Hillary Clinton, who sits there and tells her daughter and a government official that no, this was a terrorist attack, and then tells everybody else that it was a video. Where I came from, they call that a lie.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
I loved the city, so the feeling in 2001 [election] first was shock, then (I was) nervous, then scared but then it's - I really wasn't happy and ecstatic like I thought I (would be). I was immediately hit with the enormity of the responsibility and the fact that most people in that town - particularly those that voted for me were placing their hopes and dreams in me. That is a big, big stressful place to be.
Guys think of love as a feeling, which means that if you do something wrong you can still love somebody. So guys are constantly screwing up and then saying, "But I love you!" And girls have a different standard for love.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
I think the biggest learned behavior that I would love to get rid of is that little voice that tells you, 'That's stupid. You shouldn't say that.' And then five seconds later, you hear somebody saying the same thing, and you think, 'Seriously, what is wrong with me?' I think, in particular, a lot of women do it. And that's a problem.
Put in every joke that's not a dud and then let's just start pulling the ones that work the least. You're just constantly sifting until you're left with the biggest chunks of gold. The audience also tells you what some of those chunks are. You can have your own favorites, and then, once you screen it for an audience, the audience tells you what they're entertained by. I feel like that's a big part of it.
I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
The beautiful thing about the law of attraction is that you can begin where you are, and you can begin to think, real thinking, and you can begin to generate within yourself a feeling tone of harmony and happiness. The law will begin to respond to that.
Basically, we've grown up very focused on the institution. The institution tells me what to do. It tells me where to go. It tells me what my career path is, and then I, sort of, attach my own personal desires, my own personal interests. I think we're living in a time where we're going to have to change - to put people in the center.
I think I regard any history in quotes, because just like science, we're constantly revising science, we're constantly revising history. There's no question that various victors throughout history have flat out lied about certain events or written themselves into things, and then you come along and you find out that this disproves that.
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