A Quote by Glen Hirshberg

Richard Shindell works impressive alchemy with the plainest, most primal American pop melodies. — © Glen Hirshberg
Richard Shindell works impressive alchemy with the plainest, most primal American pop melodies.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
I just write... I follow the melodies that I can't forget/the ones that pop up in my brain the most.
The man, most man, works best for men: and, if most man indeed, he gets his manhood plainest from his soul.
The most distinctive, and perhaps the most impressive, characteristic of American scenery is its wilderness.
All the big pop acts that I've been into over the years - whether it's ABBA or Prince - managed to combine amazing melodies and honest human emotion. But coming out of the super-super-commerical pop industry in the 90s, maybe people forgot about the fact that pop music can do both of those things.
The old alchemy, or what was just called alchemy, has a history. Most people, if they've been trained in sciences, think of alchemy as the precursor to chemistry. Back in time, people were called alchemists and they worked for kings and rich people, smelting metal and trying to change base metal into gold, because the king wanted to be richer.
For me, pop melodies are their own thing that have their own emotion, but they don't necessarily belong exclusively in a pop song.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
I've always argued that all Tame Impala melodies are pure pop. It's just that 'Lonerism,' for example, is a completely rumbling, fuzzed out psychedelic rock album. But for me, it was just pop music produced the way that I like to produce it.
No one wants the picture-perfect song anymore. I'm trying to keep the beautiful qualities of pop - nostalgia, melodies, and the feeling that a beautiful pop song can give you - but make it real. It's not polished.
The man, most man, Works best for men, and, if most men indeed, He gets his manhood plainest from his soul: While, obviously, this stringent soul itself Obeys our old rules of development; The Spirit ever witnessing in ours, And Love, the soul of soul, within the soul, Evolving it sublimely.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
What makes something pop? It's really just the bed it's placed in. If I grab melodies by Black Sabbath or Metallica and take them out of their musical bed and put them into a pop context, it's not like they wouldn't translate.
Impressive, most impressive. (Darth Vadar)
The single most impressive fact about the attempt by American women to obtain the right to vote is how long it took.
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