A Quote by Glen Mazzara
I went to NYU undergraduate, then for a Master's in English, and got a summer job at St. Vincent's. I was a ward clerk handling everything in an intensive care unit.
Related Quotes
Riesling? It smells like an intensive care ward.
In the Catholic Worker we must try to have the voluntary poverty of St. Francis, the charity of St. Vincent de Paul, the intellectual approach of St. Dominic, the easy conversations about things that matter of St. Philip Neri, the manual labor of St. Benedict.
It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.
By then I was in Brooklyn and drank my way through that summer. I stopped when I got sick of that and got a job at the Strand bookstore, which was a little better than the tax job.
Reducing MRSA infections is critical because these bacteria are difficult to treat and are common in healthcare settings, especially among ICU (intensive care unit) patients.
I grew up in St. Louis, and I don't know if you've ever been to St. Louis in the middle of summer. There are days in the summer sometimes, weeks in the summer, where the temperature can be over 100 degrees and the humidity can be 100 percent.
I believe that a core problem with undergraduate education, especially at research universities like Harvard, Stanford, NYU, etc, is that most teaching is done by PhDs, who by temperament, training, interests, and rewards are researchers first. So they spend most of their time and energy probing a snip of a field's cutting edge. In my view, the attributes needed to be a transformative undergraduate instructor are pretty orthogonal to that. It would seem that undergraduate education would be superior if there was a separate track for teaching faculty.
I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.
Ghost?” St. Vincent shot him an incredulous glance. “Christ. You’re not serious, are you?” "I’m a Gypsy,” Cam replied matter-of-factly. “Of course I believe in ghosts.” “Only half Gypsy. Which led me to assume that the rest of you was at least marginally sane and rational.” “The other half is Irish,” Cam said a touch apologetically. “Christ,” St. Vincent said again, shaking his head as he strode away.
I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
When I was 13, I had my first job with my dad carrying shingles up to the roof. And then I got a job washing dishes at a restaurant. And then I got a job in a grocery store deli. And then I got a job in a factory sweeping Cheerio dust off the ground.
I moved to New York City in 1997 as an undergraduate transfer student at NYU.
I worked for dad on the grounds and I was in high school and I said I wanted to go to college, and he said, well, you figure it out. He said I will pay for your college but you're going to go to St. Vincent. St. Vincent College right here. That's about as much as I can afford, you work here, right here at home. I said, what if I can get somewhere else? And he said if I can get there, that's your call.
That drew a mocking laugh from Lillian. “Really, someone should tell St. Vincent that he’s a living cliché. He has become the embodiment of everything they say about reformed rakes.
When we finished [training with my wife] we came to St. Paul, because St. Paul was the first place where we got a job offer and we needed some sort of a job to earn some money in order to set up our own studio. It's rather ironic that this job offer came originally through the Walker Art Center.
When Will Graham could open his right eye, he saw the clock and knew where he was- an intensive-care unit. He knew to watch the clock. Its movement assured him that this was passing, would pass. That's what it was there for.
Related Authors
Declan Donnelly Quotes
English
Producer
Ekta Kapoor Quotes
Indian
Producer
Gauri Khan Quotes
Indian
Producer
J. Michael Straczynski Quotes
American
Producer
James Wan Quotes
Australian
Producer
Jason Blum Quotes
American
Producer
Jimmy Iovine Quotes
American
Producer
Julie Plec Quotes
American
Producer
Noah Hawley Quotes
American
Producer
Noel Edmonds Quotes
English
Producer
Paul Heyman Quotes
American
Producer
Roger Ross Williams Quotes
American
Producer
Samuel Goldwyn Quotes
American
Producer
Shonda Rhimes Quotes
American
Producer
Travis Knight Quotes
American
Producer
Troy Carter Quotes
American
Producer