A Quote by Glen Powell

Chad Radwell lines are very, very quotable. — © Glen Powell
Chad Radwell lines are very, very quotable.

Quote Topics

The Ryan Murphy universe is a very strange place to occupy, and I would never tell anyone who loves Chad Radwell to ever give up complete hope.
If you want to get unpaid media coverage, you had better be quotable. It's an interesting problem, because very few candidates are quotable.
It seems pointless to be quoted if one isn't going to be quotable ... it's better to be quotable than honest.
Everything is roughness, except for the circles. How many circles are there in nature? Very, very few. The straight lines. Very shapes are very, very smooth. But geometry had laid them aside because they were too complicated.
I don't take that away from Conor, that he beat Chad Mendes on short notice. Chad took that fight knowing he had a chance to beat Conor, so that's Chad's fault he took that fight.
I lived in Nigeria, Chad, and Cameroon when I was very young, until my mother divorced my father.
Jack made it very comfortable for me on the set. We'd met socially before but never worked together. You know, he's very professional, very disciplined and he's always prepared and knows his lines.
I see a lot of disloyalty around. I'm very loyal to people and that supersedes, frankly, party lines. But I'm very, very loyal to people and I'm also very loyal to people that I think are good for the country.
All I know is it was very easy for us to write the Barb character and I think that, you know, Shannon Purser - who had never acted before - just did such a brilliant job realizing her. And, again, without very many lines - 25 lines. And I think everyone feels like either they knew this girl or they were this girl.
For me, what makes Liverpool special is that they are a team that works very well on the lines, very compact, in which everyone attacks and defends.
Lines drawn into his face suggested he had spent many years thinking very hard over very difficult problems.
I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
With pencil there is a tendency to be timid, either using very faint lines or erasing bad lines... Line sketching tends to emphasize the structure of a drawing rather than the nuances of media.
Now, being on the cover of Vanity Fair is as important as being in great movies. The lines are very, very blurred.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
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