A Quote by Glenda Bailey
I firmly believe that Harper's Bazaar is the star. I am there to make it the best it possibly can be, but there should be no confusion. I want to put Harper's Bazaar front and center.
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One day, Sally Kirkland said to Diana Vreeland, who was the fashion editor of Harper's Bazaar at the time, "I have a young woman I want you to meet. She's very young, but I think you should meet her." When Sally Kirkland told me this, I said, "I can't possibly do that! I'm going to throw up! That's the scariest thing I've ever heard! I can't do that, Sally. I'm not ready to do that!" But Sally said, "You let them make that decision." I was absolutely terrified.
I couldn't identify with the images in 'Elle' or 'Vogue' or 'Harper's Bazaar.' Nobody in the world we're walking around in actually looks like that.
I am no king, and I am no lord, And I am no soldier at-arms," said he. "I'm none but a harper, and a very poor harper, That am come hither to wed with ye." "If you were a lord, you should be my lord, And the same if you were a thief," said she. "And if you are a harper, you shall be my harper, For it makes no matter to me, to me, For it makes no matter to me." "But what if it prove that I am no harper? That I lied for your love most monstrously?" "Why, then I'll teach you to play and sing, For I dearly love a good harp," said she.
My introduction to photography and a lot of how I developed aesthetically was through '50s and early-'60s fashion magazines like Harper's Bazaar and Vogue.
The thing is that any sophistication I have, aesthetically, comes from 'Vogue' and 'Harper's Bazaar.' In the '60s, I never missed an issue, even if I had to steal to get them.
I worked for Harper’s Bazaar. They fired me. I recommend that you all get fired; it’s a great learning experience.
By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.
When I first heard 'Harper's Bazaar' wanted me to be sexy, I was like, 'Who, me?' I knew y'all were edgy, but this is incredible - it's validation.
I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.
When I was married, I didn't work. When I had my children, I didn't work. But before that, I'd work for Diana Vreeland at 'Harper's Bazaar.'
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
I was partially raised by an aunt who was a dress designer, so I was around her studio all of my early life. I know materials. I can look through Harper's Bazaar and decide what works and what doesn't, or any other magazine, Seventeen if you wish.
I am not so bad, actually, at doing my own makeup, so for more low-key events, I'll do my own, but for something like 'Harper's Bazaar' Icons Party, I would definitely get a makeup artist or a hair artist if I had time.
Although a life-long fashion dropout, I have absorbed enough by reading Harper's Bazaar while waiting at the dentist's to have grasped that the purpose of fashion is to make A Statement. My own modest Statement, discerned by true cognoscenti, is, "Woman Who Wears Clothes So She Won't Be Naked.
Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.
Margot [Hentoff] used to write regularly for The Voice, for The New York Review of Books, for Harper's Bazaar, and she really had the most distinctive writing style, even more than mine, than I've ever seen in this business.
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