A Quote by Glenda Bailey
I think it's a very shallow thought to think creative people can't do business. I am as proud of the fact that our magazine has a commercial success as I am that we're a critical success. I want people to realize that I'm very strategic in how I run Bazaar.
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I think success is about purpose. People ask about success at different points in your life. As I look back, I think people that are successful feel good about what they are doing, and they can look back at what they've done and they feel good about it. People sometimes ask about success and they say, "What's your legacy?" and I say, "I think it's really a dumb question." I think the question is: What am I doing now? Do I feel good about myself? Am I proud of myself? Whatever purpose there is in life, I think success is about purpose. It's not about material things.
I don't think my success or me having the opportunity to have success is from our generation. I think it's from the generations before us. I think it's the fact that people like Martin Luther King and Medgar Evers and people like that fought for us to have the freedom to do and say what we want and have the opportunity to make money.
A big success can be very confusing if it comes too early in your life. When you are young, you are more vulnerable to vanity. I was 36 when I wrote The Shadow of the Wind and the success of it was very gradual. If you have this kind of success straight off, I think there is a danger you can become an idiot, because you don't have a perspective. It hasn't changed me a lot. I fly first class now. But those things don't change you. If I am pretentious, I was before, I haven't changed. The only thing is, I am less anxious now.
At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.
I am not from the political or banking elite. I am a child of the middle class far from Paris. And if someone had told me that success is bad or if they had placed hurdles in my path, I wouldn't be where I am today. I want it to be possible for young people in our country to be successful - whether they want to find that success in the family, as an artist or by founding a company.
I am very proud of the fact that 20 years on people tell me they became a vegetarian as a result of 'Meat is Murder'. “I think that is quite literally rock music changing someone's life - it's certainly changing the life of animals. It is one of the things I am most proud of.
People think you can wave a magic wand and create a star, that couldn't be further from the truth. People think that a promoter has all the cards and the talents are merely pawns and they have very little do with the bigger success, when they have most of their success because of what they do.
I think the most important reason for our success is that very early in our quest into globalisation, we invested in people - and we have done that consistently and particularly in the service business.
I'm very grateful for the success of 'Take Me to the Alley.' The chart position it's reached around the world is very exciting, and its success is an example of the acceptance of my music. I am very thankful.
I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
I am happiest when I am working though, when I am being creative. I realized at a very young age what I loved doing. I think it is so important for people to pursue the things that they love and not give up on their dreams.
I'm very proud that some people think that I'm a danger for the intellectual health of students. When people start thinking of health in intellectual activities, I think there is something wrong. In their opinion I am a dangerous man, since I am a crypto-Marxist, an irrationalist, a nihilist.
I am a Muslim, yes, but I am also very English. People don't realise how proud I am to be representing my country or being from Birmingham.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
I am very much a product of commercial cinema in Tollywood, and people ask me why I don't do masala films in Hindi. I am very eager to do them, but somehow I am perceived as a serious actress here.
I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.
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