A Quote by Glenn Branca
Whatever works for the piece I'm thinking about is the way I write.
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It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.
'Write what you know' works, but it's limiting. Write what fascinates you. Write what you can't stop thinking about.
I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.
Maybe one thing is that you have to find the best way to write whatever works better for you.
I do hope some of my work has a long lifetime. A piece that works out well this year may work out very well in twenty years' time as well, but I'm very much thinking about what's the right piece now, at this moment.
The way Beyonce works, the song is a jigsaw piece and then she will piece various elements.
I'm always thinking about whatever game I'm working on. My brain works subconsciously on design pretty much every hour I'm awake.
Every guitarist I would cross paths with would tell me that I should have a flashy guitar, whatever the latest fashion model was, and I used to say, 'Why? Mine works, doesn't it? It's a piece of wood and six strings, and it works.'
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
I don't write thinking directly about what I'm feeling, usually. I just let myself write whatever comes out without it necessarily being directly a translation of what I'm aware that I'm feeling, you know?
I tend to write about love because I'm always thinking about it. I think a lot though and struggle with overanalyzing. Way over. That's the thing, I feel like I do that a lot and then finally when I stop thinking, that's when it happens.
When I write, I tend to be quite cut off from the world. At that point of time, I'm not thinking about editors, publishers or readers. I write the story the way it comes to me.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I'm getting ready to write a piece now, and it's been six months thinking about it, changing the instrumentation, changing the name, doing more reading.
People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.
The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.
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