A Quote by Glenn Close

And those moments that I find mind busting. Meaning like there's a word that I find in a weird place. I love the process of going to the writer and working that out, because that's just basic communication.
We are all a little weird and life's a little weird, and when we find someone whose weirdness is compatible with ours, we join up with them and fall in mutual weirdness and call it love. Time is too slow for those who wait, too swift for those who fear, too long for those who grieve, too short for those who rejoice, but for those who love, time is eternity. I've fallen in love many times... always with you. What I need to live has been given to me by the earth. Why I need to live has been given to me by you. Love is just a word until someone comes along and gives it meaning.
I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.
I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think. Otherwise, you're just cruising down a path that's been traveled millions of times. It's cool to find the strange truth in those moments.
My seminars are for you. They are moments, hours and evenings outside of time. A chance, in a highly charged environment, to meditate, find stillness, and remember who you are. A place, with others of like mind, to find and lose yourself in the transcendental light.
You're never quite sure where the song is going, because you might not find the word to rhyme with the end of the line. You have to find associative meaning to get you there. So it's rather like doing a crossword puzzle backwards. A kind of strange, three-dimensional, abstract crossword puzzle.
We're all looking for acceptance and love, beginning with our parents. And then when you find [that] out, you start working with yourself, you start to find out that the acceptance and love that you find somewhere else mirrors [you] in all kinds of different situations. That type of love you can only find in one place: in yourself. And many times we're all looking for it somewhere else.
I take out little moments of silence before or after they sing, because I just love those weird pauses.
I'm always able to find light moments on any set, no matter what. Just because a scene is heavy doesn't mean that you have to be heavy, all day long. I was working with people who had a sense of humor and wanted to have those light moments with me.
I mean, there's little enough in this life, really, and you only find it worth living for the odd moments, and if you think you're going to have those odd moments again, then it makes life wonderful and have a meaning.
I find that life just gets in the way and it gets so busy and there's so much chaos and stress that can come along with raising two teenage girls in Los Angeles and being married and working and, you know, everything that goes along with it. It's how do you find those calm moments, because everybody has this in their life.
I think a lot of people do have questions about life, 'What's the purpose of my life?', 'What's the meaning of my life?', 'Why am I here?' ... It's hard to find a place where you can discuss those issues. You can't go down to the pub and say, 'What do you think the meaning of life is?' But actually, most people have those questions, somewhere in the back of their minds. And if you can find a place where you can discuss it with a group of people who, like you, are outside of the Church, and it's a non-threatening, relaxed environment, quite a lot of people want to do that.
The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.
As the writer, you can choose the word that seems best in terms of meaning, nuance, sound, etc. As the translator you are unlikely to find a word in your language that exactly matches, so that you are always making a decision about which meaning or nuance to choose, or emphasize, over the others.
All I really know in nonfiction is that when I come home, I've got all these notes and I'm trying to figure out what actually happened to me. I usually kind of know what happened, but as you work through the notes, you find that certain scenes write well and some don't even though they should. Those make a constellation of meaning that weirdly ends up telling you what you just went through. It's a slightly different process, but still there's mystery because when you're bearing down on the scenes, sometimes you find out they mean something different than what you thought.
We might think we can find a buddha or enlightenment somewhere beyond this mind; we might think we can find serenity, clarity, and meaning beyond this mind, but such place does not exist. Everything that appears is this mind, Bodhidharma says.
A pun calls the meaning of a word into question, and it upsets us tremendously. We laugh because suddenly we find out we're not going to get killed. I think a lot of things work that way with photographs.
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