A Quote by Glenn Danzig

But unfortunately, I have to say, one out of every 100 interviews I do, I get a real journalist — © Glenn Danzig
But unfortunately, I have to say, one out of every 100 interviews I do, I get a real journalist
But unfortunately, I have to say, one out of every 100 interviews I do, I get a real journalist.
I wish what I do was all real. Some of it's real, some of it's an illusion and I try to blur the line between both, but unfortunately I've got to be honest with you. Taking a $1 bill and turning it into a $100 - unfortunately it's not real.
In my heart, I'm 100% real. You can't pull out nothing in my past that can say I'm not 100% real.
I remember sitting one time doing 100 interviews in a day, and they're all television interviews and they're kind of - and you just sit there and they bring these people in and out, and in out.
In an email... like I did 100 interviews, and I never repeated one story. That's impossible to do when you do face-to-face interviews, because your brain locks and you say the same thing over and over again.
Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader.
Every moment is as real as every other. Every 'now,' when you say, 'This is the real moment,' is as real as every other 'now' - and therefore all the moments are just out there. Just as every location in space is out there, I think every moment in time is out there, too.
I picked up an issue of 'Cosmopolitan' the other day that had tips for job interviews, because I was like, "I need to get better at interviews." The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, "I do that every day."
I picked up an issue of Cosmopolitan the other day that had tips for job interviews, because I was like, 'I need to get better at interviews.' The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, 'I do that every day.'
Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.
Essentially every scientist, when posed with the question, "If you want to get science knowledge from Mars, do you want to send a geologist or do you want to send a robot?" Well, the real answer is, you can send 100 robots for the price of sending one geologist, so let's send 100 robots to 100 different locations, and then we would all benefit. So that's the answer you would get. And I agree with that answer.
Actually, I don't get to do it (watch 5 or so news shows) every day, but I manage to do it at least 5 times a week. And the rest of the time I'm doing interviews. I do an amazing amount of interviews.
The Italian journalist Oriana Fallaci used to say that for her, an interview was like a war. I get the sense that we've forgotten that here in the United States. You turn on the TV, and you see very bland interviews. Journalists in the United States are very cozy with power, very close to those in power.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
In every place there are 100 people who can say no and only one person who can say yes. You have to get a good piece of material to the right person.
I used to do interviews - I still do - interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they're at the bottom of the Atlantic Ocean.
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