A Quote by Glenn Danzig

If there's going to be another Misfits record, I'd probably have to write the stuff. — © Glenn Danzig
If there's going to be another Misfits record, I'd probably have to write the stuff.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me one way or another.
It's time to start really writing some stuff, and I really wanted to write some stuff in the vein of the original Misfits, and this was really the first step in that direction.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
I tend to have a lot of songs ready for each record I do anyway. I always have. I was thinking, the more you write, the better chance you're going to come up with a collection of stuff that is going to work together.
I've never been that person who thought that because I've written one novel, I should write another and another. It's only when there was another novel to write that I was going to write another.
I write the lyrics based on what is going on in my life - I'm not going to write about the old hair metal stuff, like castles and stuff.
I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.
Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
I'm doing this record called 'Epicloud.' Over the course of the full record, there's sort of new agey stuff, jazzy stuff, really heavy stuff. We basically cover the gamut.
Misfits aren't misfits among other misfits.
It's hard if you're just touring constantly. It's like, "What am I going to write about? I'm in the van, I'm playing another show..." I'm still writing about heartbreak that happened years ago. I don't see the point of writing and putting out another record until I can do something else.
I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
I knew I wasn't going to write a record as soon as I got signed, because I hadn't had any life experiences. I was still at school, and I wasn't going to write about that.
'Supermodel' was a hard record for me; it was an emotional record to write. I was purging a lot of stuff with that album, and I think the one thing I didn't really consider, that I'd be supporting it for two years and living in that state of mind every night.
I know what we're going to do as PWR BTTM. We're going to put a new record out; we're going to go on tour a lot, and we're going to do cool stuff. We're going to try to be kind to our friends and family and loved ones. And we're going to look cute.
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