A Quote by Glenn Danzig

When I started Samhain, I remember a producer telling me that I had a real band now. — © Glenn Danzig
When I started Samhain, I remember a producer telling me that I had a real band now.
The moment this brilliant young producer Miss Verity Lambert started telling me about Doctor Who, I was hooked. I remember telling her, This is going to run for five years. And look what's happened!
My agent said the part was that of an eccentric old grandfather-come-professor type who travels in space and time. Well, I wasn't that keen, but I agreed to meet the producer. Then, the moment this brilliant young producer, Verity Lambert, started telling me about 'Doctor Who,' l was hooked.
When the Eagles started, I was the best-known one in the band. I remember when Poco would play the Troubador, Glenn and Don would be in front of the stage, drooling and wishing they were in the band. But they'd never admit that now.
But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.
Since retiring, there's only been one time I actually dreamed about wrestling. In my dream, I was wrestling against Kurt Angle. I had him clamped in a headlock. I was breathing hard, and I remember telling myself, 'This is only a dream. It's not real.' But the longer I held Kurt in a headlock, I started to believe it was real.
We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
I remember, after the New Year's Eve 1991 show, somebody running onto the bus and saying Nirvana had just hit No. 1. I remember thinking, 'Wow; it's on now.' It changed something. We had something to prove - that our band was as good as I thought it was.
I did make 'Stone Cold' Steve Austin the Million Dollar Champion on Raw. You know I saw the talent in Steve and I remember telling him - because a lot of people were telling him 'You need to do more' - I remember telling him, 'Don't do anything different, because what you do is believable, it's real.'
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
Once I started 'Nagaram Nidrapotunna Vela' I had to finish it. I made a wrong decision. I knew the film would be a flop and told the producer so. Everyone failed - director, producer and all.
I remember Glenn Miller coming to me once, before he had his own band, saying, How do you do it? How do you get started? It's so difficult. I told him, I don't know but whatever you do don't stop. Just keep on going.
I remember all the older guys, when I started playing, telling me how fast it all goes by. I remember being an 18-year-old and going, 'Whoa, this is the NHL. And it just flies right by, so just enjoy every day.'
The guys in my band are good friends on and off the stage. The band members that I have now is probably the best band that I have ever had.
There was a point in my life and my career where I had less than $100 to spend on both of my kids for Christmas. I remember telling myself, I remember telling my best friend, I said, 'This will never happen again.' I will not let this happen. I mean, $100 for me to spend on my family, friends, everybody.
When I started out playing live, it was different. I felt good about it. Nobody knew who I was. I just opened for so-and-so. Now, I'm playing to people who are coming out to see the band. There's too much attention on the band and me.
In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.
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