A Quote by Glenn Danzig

All that pop that you see on the radio? It's just the worst crud I've ever heard in my life. It's designed to make money, and that's about it. — © Glenn Danzig
All that pop that you see on the radio? It's just the worst crud I've ever heard in my life. It's designed to make money, and that's about it.
Worst music ever sells millions. The worst music with the shittiest lyrics. The fact is that they pay radio stations to put it on the radio, then you've heard it a million times when you're driving from your shitty job to your shitty house. It's indoctrination, it's sad.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
My role models came in my imagination, from what I'd heard on the radio or on record... Vera Lynn I loved, but I'd only ever heard her on the radio. Gospel singers, Bessie Smith, Mahalia Jackson. So it was in my head that I visualised the emotion but no way to see how people do it.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I've heard every pronunciation ever, but the worst was when I was in New York for a radio show at some restaurant. On the door it said, 'Now appearing: Kard Kiard.'
The secret of my success is that I make other people money. And, never ever, ever, ever be ashamed about trying to earn as much as possible for yourself, if the person you're working with is also making money. That's life!
Decisions I make, the money, my contract, all of that will handle itself. I don't ever worry about my money. I already have enough money for the rest of my life. It's all about winning.
Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.
I think there have been so many documentaries about pop stars, made by pop stars. It's a new phenomenon. People making these movies where they praise themselves and show their own weaknesses. it's all designed to make you love them even more.
We make movies for the cineplex. They're designed for wide release. They're designed to be seen by a lot of people and eventually make money.
I just encourage everyone to make real music and it will fuel the engine and the machine. Just make it real and put your heart into it. Don't make it because you heard someone on the radio.
The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
I just want [my daughter Isabelle] to know that she's heard. Really heard, because I feel like that is what we all really want. When I think about any of the missteps in my life that I've made, all of which I'm grateful for, it's because I just so wanted to be truly seen and heard for who I am and was afraid I wasn't or wouldn't be. I see you, I hear you, I'm with you as you are.
E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.
People who say it takes money to make money are using the worst excuse ever. . . Create massive value for others by providing a solution where no other exists.
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