A Quote by Glenn Danzig
We're one of the only bands that get censored for theological commentary.
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Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.
My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
All the bands get along really well. That's one of the biggest things on a tour. It's great to get all these cool bands together, but if they don't get along it sucks.
I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.
I know there's this idea going around that I bury The Young Bucks on commentary but that's never been the case. If anything, I've only treated them harshly as heels. That's it. When they started turning around from being a heel to a face, it's a whole different story. That's simply a matter of how I see commentary as opposed to beef.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
Code is followed by commentary, and commentary by revision, and thus the task is never done.
Let me say, it's - what a commentary it is on American media that you have to go to Russian television in order to get covered as a candidate in this election. It's pretty outrageous. And our media could solve that in a heartbeat if they actually opened it up, you know, but they don't. So I think that's more commentary on the crisis in our media.
You get into theological education and you're busy marking papers and getting into administration in raising funds and doing all the things that are part of life, but here we were talking about important theological, historical, gospel related, biblically centered things hour after hour after hour.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
I don't get a lot of big offers. Never have in my career. For some reason, record labels don't call me, famous bands don't call me, only kids in rock bands. I don't know why, and I don't worry about it. I would worry about it if I wasn't working, if I was unemployed.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
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