A Quote by Glenn Ford
It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.
Related Quotes
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
I'm sure that there must have been times when you have read books or watched films and found yourself secretly wishing for the villain to win. Why? Isn't that against the rules by which our society lives? Why should you feel this way? It's simple, really; the villain is the true hero of these tales, not the well-intentioned moron who somehow foils their diabolical scheme. The villain get's all the best lines, has the best costumes, has unlimited power and wealth- why on earth would anyone not want to be the villain?
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
The only difference between a hero and the villain is that the villain chooses to use that power in a way that is selfish and hurts other people.
I prefer a real villain to a false hero.
I've seen unpublished manuscripts where the writer doesn't know they are making fun of the villain - but they are. If you aren't afraid of your villain, how can your hero be afraid?
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
If someone has to be the villain, I'll be the villain. I have no problem with it. The movies still say, 'Starring... the villain.'
In the theater, as in life, we prefer a villain with a sense of humor to a hero without one.
I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
When I start creating a villain, I start liking the villain and so the villain is not really evil.
I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain.
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