A Quote by Glenn Frey
Nobody told Don Henley or me that we were going to make it as solo artists, but I can speak for Don when I say that we are both really happy now that the band is not together.
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I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
For me, I met my husband when I was going full steam ahead of what I wanted in my career. We sort of intersected and were like, 'Oh, hi, hello!' We were both on our way somewhere to speak and then just kept going together.
There's a lot of variety of musicians in Korea. I cannot say they are the best in the world, but I can say that Korean artists are really dynamic artists, so I am going to show that from now on.
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
If a band is really good and the chemistry is unique, it should continue. But I guess David is just very happy doing his solo career. He's got a different band every time he goes out.
I think women should band together to get us more respect in all the businesses that we're in because, you know, if we turn 40, we're nothing and nobody. We all should band together and just say we're not gonna go down like that.
Everybody told us we would never make it. Even friends would say to me, 'Okay this band thing is cool, but seriously, what are you really going to do?' I can't think of anyone who believed in us, and that was fuel for the fire, because the more anybody said I wouldn't do it, the more I was like, 'No, I'm going to do it.'
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no sidemen,' and when I joined the band, it was still the same. There were some power struggles emerging, because Henley and Frey had sung all the hits at that point.
Antoine and Sahara Davenport were really able to help me learn about drag. We really fed off each other. Together, we just clicked. We were both part of 'RuPaul's Drag Race,' so we both got to go through this experience together.
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I’m happy, I make great music. When I’m unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.
I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I'm happy, I make great music. When I'm unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.
I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
Oh, definitely and I talk about all the things that I really needed to make me happy at that point in time were outside of Mississippi, and now all the things that I need to make me happy are back there.
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