A Quote by Glenn Gould
I treat recorded tapes the way a film director treats his rushes.
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When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.
Man treats woman as his own property and not as being capable of feelings, like himself. The way man treats women is much worse than the way landlords treat servants and the high-caste treat the low-caste. These treat them so demeaningly only in situations mutually affecting them; but men treat cruelly and as slaves, from their birth till death.
You can always tell how a man will treat his wife by the way he treats his mother.
I was a big Belieber. I sent in audition tapes to be in his movies. I recorded myself singing 'One Less Lonely Girl' so I could be one of the fans in his documentary.
You Americans, you treat the Third World in the way an Iraqi peasant treats his new bride. Three days of honeymoon, and then it's off to the fields.
Remember the great film with Bette Davis, All About Eve? There's a scene after the scheming Eve steals Margo's role through trickery & then gets this magnificent review. Margo of course is effing & blinding all over the place. And crying. Her director rushes into her house, puts his arms around her & says, "I ran all the way". That's what I want.
A man will treat a woman almost exactly the way he treats his own interior feminine. In fact, he hasn't the ability to see a woman, objectively speaking, until he has made some kind of peace with his interior woman.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.
I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
Leaders should interact with everyone in their organization as if the interaction is being recorded and will be used as a training film on how to treat colleagues, coworkers, and customers.
If I'm going to be in the right relationship with God, I should treat the things he has made in the same way he treats them.
Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.'
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
But I think the record will actually come from tapes that are not yet recorded.
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