My parents are really funny. Laughter was a big part of my childhood. Of course, they tell a lot of bad jokes - but so do I. I tell a lot of bad jokes.
A lot of people get into stand-up as a back door into acting or something. But I really like writing jokes and telling jokes.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
The inside jokes weren't jokes anymore. They had become stories. Nobody brought up the bad names or the bad times. And nobody felt sad as long as we could postpone tomorrow with more nostalgia.
I got a pit bull from a shelter, so my whole life is centered on this dog, and I've been writing a lot of dog jokes. I should probably give up now, because I'm writing jokes about my dog.
Jokes that are gratuitously offensive are synonymous with bad writing to me. I'm offended as a writer first and as a person second.
People are writing shorter jokes. The style I've started with was almost trying to keep jokes under 140 characters before Twitter.
The jokes are great but what really matters for a comedian is his performance, his whole attitude, and the laughs that he gets between the jokes rather than on top of the jokes.
I'm really bad with jokes. I would have to say Limp Bizkit.
I realized, in removing or rewriting these jokes, that often the jokes weren't done or that I was using, for me, the curse words as kind of a crutch. So then I just started writing.
A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.
Attacking bad books is not only a waste of time but also bad for the character. If I find a book really bad, the only interest I can derive from writing about it has to come from myself, from such display of intelligence, wit and malice as I can contrive. One cannot review a bad book without showing off.