A Quote by Glenn Hughes

When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right! — © Glenn Hughes
When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!
I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, 'Leave (Get Out),' I have been through that. I think it is just a new generation, whether people are ready for it or not. Teenagers are dating.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
Have you ever heard somebody sing some lyrics that you've never sung before, and you realize you've never sung the right words in that song? You hear them and all of a sudden you say to yourself, 'Life in the Fast Lane?' That's what they're saying right there? You think, 'why have I been singing 'wipe in the vaseline?' how many people have heard me sing 'wipe in the vaseline?' I am an idiot.
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.
The reason that you dance and sing is to make the audience feel like they're dancing and singing. As long as you're having fun with it and giving it 100 percent, they're gonna feel that.
The impresario's job is to pick the right people who can pick the right people. He picks the people who can pick artists and relate to them. People who know what the market craves.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.
I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.
There's a little bit of gospel in everything I do. But I don't know if I will ever do a gospel album. There's a big universe out here, and I don't want to just sing to the church. I want to sing to the world and bring them a message of love. I love going to church and singing gospel songs, but right now there's a message that the world needs.
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