A Quote by Glenn Ligon

Doors have an immediate familiarity. They're everywhere. They're scaled to our bodies, so there's something human about them. — © Glenn Ligon
Doors have an immediate familiarity. They're everywhere. They're scaled to our bodies, so there's something human about them.
If you... scaled down human beings, scaled down society, if you land with a group of little boys, they are more like a scaled-down version of society than a group of little girls would be.
The Conversation about women’s bodies exists largely outside of us, while it is also directed at and marketed to us, and used to define and control us. The Conversation about women happens everywhere, publicly and privately. We are described and detailed, our faces and bodies analyzed and picked apart, our worth ascertained and ascribed based on the reduction of personhood to simple physical objectification. Our voices, our personhood, our potential, and our accomplishments are regularly minimized and muted.
I've been thinking about something for a long time, and I keep noticing that most human speech-if not all human speech-is made with the outgoing breath. This is the strange thing about presence and absence. When we breath in, our bodies are filled with nutrients and nourishment. Our blood is filled with oxygen, our skin gets flush; our bones get harder-they get compacted. Our muscles get toned and we feel very present when we're breathing in. The problem is, that when we're breathing in, we can't speak. So presence and silence have something to do with each other.
Presumably there are energies, to which each human is sensitive, that we cannot yet detect by means of our instruments. Built into our brains and our bodies are very sensitive tuneable receivers for energies that we do not yet know about in our science but that each one of us can detect under the proper circumstances and the proper state of mind. We can tune our nervous systems and bodies to receive these energies. We can also tune our brains and bodies to transmit these energies.
We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper made of human meat," we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
If a person chooses not to be a writer, or speaker, then (by definition) the person is choosing not to be engaged in an effort,"to bring the truth about matters of human significance to an audience that can do something about them," apart, perhaps, from some circle of immediate associates.
The Ideas of primary Qualities of Bodies, are Resemblances of them, and their Patterns do really exist in the Bodies themselves; but the Ideas, produced in us by these Secondary Qualities, have no resemblance of them at all. There is nothing like our Ideas, existing in the Bodies themselves. They are in Bodies, we denominate from them, only a Power to produce those Sensations in us: And what is Sweet, Blue or Warm in Idea, is but the certain Bulk, Figure, and Motion of the insensible parts in the Bodies themselves, which we call so.
It has long seemed ridiculous to me to suppose that the nature of things has been so poor and stingy that it provided souls only to such a trifling mass of bodies on our globe, like human bodies, when it could have given them to all, without interfering with its other ends.
I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
There are women who literally squeeze a baby out of their bodies or get cut open in major surgery, have a human being, the next generation of the human race pulled from their bodies, and within a couple of weeks have to go back to work, because if they don't, they can't pay their bills. Something's wrong with that.
American cities are not scaled to the energy diet of the future. They have become too large. They're over-scaled.
Familiarity breeds contempt. By bringing them in close, they realize that you’re just as human as they are. That’s when the madness sets in. They can’t understand why you have more than they do when you’re just a regular human being the same as them. Then they hate you for it. (Leta)
Seeking knowledge is like opening doors. And I know the doors are everywhere.
It's only when movement becomes the most natural state in our lives that we can finally begin to enjoy the motion. And it's only when standing still becomes impossible that we can finally embrace the kinds of changes that are inevitable in our lives. We were not designed to stand still. If we were, we'd have at least three legs. We were designed to move. Our bodies are bodies that have walked across vast continents. Our bodies are bodies that have carried objects of art and war over great distances. We are no less mobile than our ancestors. We are athletes. We are warriors. We are human.
Anger is precious because it is an immediate, undeniable clue to what our minds (so much more cautious in rejection and resistance than our bodies) will not tolerate.
I like thinking about the fragility of the human flesh and our bodies - our decay and eventual death.
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