A Quote by Glenn Miller

We didn't come here to set any fashions in music. We merely came to bring a much-needed touch of home to some lads who have been here a couple of years. — © Glenn Miller
We didn't come here to set any fashions in music. We merely came to bring a much-needed touch of home to some lads who have been here a couple of years.
It's important that we came here, just to touch base here in this great country... When I was about 16 I came with my dad for a couple of weeks and had a great time and I've wanted to come back, it's been way too long. So, I'm very happy to be here and I want to come back longer with the rest of my family.
All of my favorite songs can bring me to tears. Some are rock, some are blues, some are love ballads. That's why I play music - to touch other people as I have been touched.
I was writing tons of music in my spare time. I might be on location somewhere, and I'd go home and I'd have my guitar and my little keyboard or something and write music. Or if I was at home, on my piano. I've always been a late bloomer with a lot of things, just in general, so I think this was something that needed to come to fruition in this particular way.
I really don't see the point of making music if you don't love it, and I'm lucky enough to say I love my music, and love the things I've made over the last couple of years and they bring me so much joy.
Usually when I work, I'm totally dedicated to the role, and when I leave the set, I bring some of my character home with me, but I can't bring anyone home with me now because my son would freak out.
There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.
I just finished a film a few days ago, and I came home and said I learned so much today. So if I can come home from working on a little film after doing it for 45 years and say, "I learned so much today," that shows something about the cinema. Because the cinema is very young. It's only 100 years old.
I've been making Bass Communion music longer than any kind of other music. I don't know if you picked up a copy of a vinyl release I put out a couple of years ago of something called Altamont.
When I came to Nashville, I was sort of experimenting with a new identity, experimenting with the country world and country writers. I realized I needed to take a step back from that, to be true to some of the music I've been doing over the years and to put that into the world before I move forward and redefine myself again.
Some of the songs come so fully, it's like they are pre-packaged. There have been a couple that came in the middle of the night. And I thought, jeez, I'll never forget that. And went back to sleep, and it was gone. You'll hear something years later that another songwriter that you respect writes, and you go, jeez, I think that was the remnants of that song that got sent to me.
For years, I never thought I needed a short game. Finally I just decided to do something about it. I needed to get up and down from tough spots on the par-5s for my birdies. So I went to Phil [Rogers]. He's the best. For the last couple weeks, Phil has been staying at my house and we've been practicing in the evening.
I like living at home: I've been making films since I was 12, when I played Sam in 'Love Actually', and if you spend as much time away on set as I have done, you get your independence young, so it's nice to come back home.
Some lads were dribblers, some lads just loved scoring goals, whereas I enjoyed and took pride in practicing my passing and that. That's how it was.
It has never been about me. That's not the way I am. With Scotland, it has always been about the squad, the lads who were trying to get some big results to start the Euro 2020 campaign, rather than lads who were away from it, who people didn't know the truth about.
The funny thing is that the fashions from the '90s seem to sit so well with the fashions of 2016. Everything from then somehow skipped and came back.
I had the greatest time of my life in England for a couple of years, and Robert Farnon made some of the best music I've ever been around.
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