A Quote by Glenn Roeder

When Andy Carroll first appeared on the scene he was a tall skinny kid and his coordination was all over the place. He reminded me of a giraffe. — © Glenn Roeder
When Andy Carroll first appeared on the scene he was a tall skinny kid and his coordination was all over the place. He reminded me of a giraffe.
The first scene I ever appeared in, it was the first scene I ever shot [during my] first day on set. I walk up to my mom with a plastic bag over my head and she says that her clothes better not be on the floor, not that a plastic bag is not a safety hazard or anything. I think it's a really cute scene and also just a very vivid memory.
Hopefully Andy Carroll has only tweeted his hamstring.
I was told I was fat in the modeling world, and a director on a shoot told me I needed to lose weight. The J-Lo booty wasn't popular then, and I wanted to be the perfect Hollywood girl - tall, blonde and skinny. I couldn't do the 'tall' because I was 5'2, and I couldn't do the skinny, either.
If I wrote a musical it wouldn't be about me. Although I do some magic, so it would probably be about a magician who appeared and re-appeared all over the place.
Everybody knows that, in general, a basketball player needs to be tall and a fashion model needs to be skinny, but how skinny is too skinny?
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
In school I was always the funny-looking, tall, skinny kid that got made fun of because of my weird teeth.
I have a toy giraffe on my bed. I've got photographs over my desk as well as a mask of a giraffe in my kitchen. I am totally hooked.
Andy Carroll will cause anyone problems and I don't see a problem in that
The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.
One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.
When I was a young kid, my pops introduced me to it. He took me to Harlem, 145th and Edgecombe, to watch the filming of Claudine with James Earl Jones and Diahann Carroll. That was my first taste of seeing a set and the cameras, and I was bit by the acting bug at a young age.
You don't know me at all. You don't know the first thing about me. You don't know where I'm writing this from. You don't know what I look like. You have no power over me. What do you think I look like? Skinny? Freckles? Wire-rimmed glasses over brown eyes? No, I don't think so. Better look again. Deeper. It's like a kaleidoscope, isn't it? One minute I'm short, the next minute tall, one minute I'm geeky, one minute studly, my shape constantly changes, and the only thing that stays constant is my brown eyes. Watching you.
I always call him Lewis Carroll Carroll, because he was the first Humbert Humbert.
I was so tall and so skinny - I was that kid who couldn't find anything to wear. All the cool kids would have jeans the right length and I would just think, 'What am I going to do?'
The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.
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