A Quote by Glenn Tipton

In my first bands I was a singing guitar player, but if you heard any of those songs you wouldn't describe me as a singer. But I can make it work. — © Glenn Tipton
In my first bands I was a singing guitar player, but if you heard any of those songs you wouldn't describe me as a singer. But I can make it work.
For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
I think I've been influenced by everything I've ever heard. The first thing I ever heard was my grandma, who was an opera singer. The first song I ever learned was the 'Nessun Dorma' from Puccini's 'Turandot.' My father was a big band singer, so I used to hear him walking around the house singing standards all the time.
It's much easier to work on other people's music and play in other people's bands as a guitar player instead of being the main songwriter and singer. That's a really big job to do that.
It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.
I was sixteen, I became a working guitar player gigging in LA, mostly in top 40 bands, then touring. I learned to take songs apart, down to their bones. Songwriters would hire me to produce their demos, which lead me to become a songwriter. The relationship and power music has to TV and film attracted me to composing [and] I learned to write for instruments other than guitar.
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
There's no leader of this band, and there never will be. That's the key. You can't control how the public perceives you-people see rock'n'roll bands as the guitar player and the singer.
Artie is a singer, and I'm a writer and player and a singer. We didn't work together on a creative level and prepare the songs. I did that.
I was just obsessed with bands like Third Eye Blind, Matchbox 20, Everclear - those were shows I was going to. A lot of those bands definitely inspired me. Those bands' songs are powerful enough that they can last forever.
I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.
I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!"
When I heard Apache by the Shadows, that was it ! ...then there was a guitar player named Steve Gordon, he was "the player" in town ... I still remember him saying to me 'Is there any reason you're not using your little finger?.
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