A Quote by Glenn Tipton
Yeah, but on the U.S Tour we threw a new song into the set almost every night. Ofcourse, you can't do too many new songs every night as they've never heard it.
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Yeah, but on the U.S Tour we threw a new song into the set almost every night. Of course, you can't do too many new songs every night as they've never heard it.
I still perform because it's a necessity for my innards. And those songs, some of those songs, I have sung, I don't know how many thousands of times. And I promise you, every single solitary night, they're new to me. They are brand-new to me that night.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
It was Night. In most places, Night is a time for sleep, for calm, and for mystery. But not in New York City, where many things conspired every evening to murder the night.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
I try not to write songs. I would rather emote them, and I found myself going back to my room every night while on my trip, just pouring out new songs and new stories about what I was seeing, what I was feeling.
The chorus-ending from Aristophanes, raised every night from every ditch that drains into the Mediterranean, hoarse and primeval as the raven's croak, is one of the grandest tunes to walk by. Or on a night in May, one can walk through the too rare Italian forests for an hour on end and never be out of hearing of the nightingale's song.
Well, I think that the most exciting stage of any tour is getting the tour together. Because when new material works, there is no other feeling like that. It's just brilliant. And for the first half of the tour, you're still often finding the extra stuff in that material. You're exploring it every night.
We're all about trying to play better every night, not just singing hit songs ... we ad lib, and every night there's jamming .. it's almost like the Grateful Dead meets Buck Owens some nights, because we'll go off on little adventures and sometimes we do crash the bus!.
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
When I'm on tour, I'm in a new city every single night, and the energy and the crowds and the kids and the screaming and them knowing every single word of my music and being onstage is such an energetic feeling with a big payoff.
I was drafted by the New Orleans Saints, and quite frankly, I got worn out playing football. I got tired of it. With wrestling, there were so many variables that could go with it, so many directions you could go. Every night, it was different. Every night. It was a different town 7 nights a week and twice on Sunday.
On the night that the Second World war was declared, there were crowds in the street. It was a summer's night and there was a blackout. On every side you heard people crying: 'Look at the moon!' The moon had been there every minute of their lives and they'd never seen it.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
New Orleans is awake all night, and every night is a party.
Songs come alive every night and can be a new experience for someone. You might have someone in the audience who has never seen us before and hearing it for the first time. We are aware of that.
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