A Quote by Gloria Emerson

I applied for a job at 'The New York Times' many years ago, and felt correctly that my life depended on it. — © Gloria Emerson
I applied for a job at 'The New York Times' many years ago, and felt correctly that my life depended on it.
The New York Times published a full-page hit piece with another claim from an individual who has been totally discredited based on the many many emails and letters she has sent to our office over the years looking for work. The New York Times refused to use the evidence that we presented. If they used it, if they would have looked, they would have said, there's no story here.
My acting career began on the streets of New York. When I was a cop, I played many impressive roles, from derelict to a doctor, and my life often depended on my performance.
People understand who Donald Trump is. There was a lawsuit against him for housing discrimination, racial discrimination against African-Americans that`s been in "The New York Times". Decades ago with "The New York Times".
Five years ago, I wasn't getting questions [about blogs and the internet] from the TV/radio critic of the New York Times.
Without aging white males, I doubt the 'New York Times' would survive. How many young people, females, Hispanics and blacks subscribe to the 'New York Times?'
There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.
My other hobby, because I just love any job with a gavel, is auctioneer. And I so often have presided over charity auctions in New York that many years ago Sotheby's sent me my own gavel. Now, the Sotheby's gavel is infinitely more elegant--it came in a little velvet bag, with "Sotheby's" inscribed in gold. It hangs in my library. I feel that everyone has occasion to use a gavel at various times everyday, they just don't think of it.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
We had applied for adoption three years ago, but it was during the lockdown that I felt the void even more.
I met Peter Brook, the theater director, who's been based in Paris for many years at the Bouffes du Nord. I admire him tremendously. Some years ago, he was in New York, and he gave an interview with The Times, and what he said was this: "In my work, I try to capture the closeness of the everyday and the distance of myth. Because, without the closeness, you can't be moved, and without the distance, you can't be amazed." Isn't that extraordinary?
I have had a few rough patches in my life, but these last few years have been among the roughest. A few years ago, I left my job as host of the television show Extra. Our parting of ways was completely amicable; they were amazing to me. I had spent over a quarter of my life at that job, and without it, I felt like I had lost my compass. People didn't know how to introduce me anymore, because in L.A., you are your job.
I ran into Stephen King once in New York a few years ago and outside the Carlyle and he said, "You're in the pink." Which sounded so Stephen King. He's doing well I think after his accident and all of that, years and years ago.
Thanks to pathetic reporting by The New York Times and other media sycophants more than 50 years ago, Fidel Castro, following the dictatorship of Fulgencio Batista, was also seen by many as a liberator of Cuba. 'I am not a communist and neither is the revolutionary movement.' Castro said at the time. Only after he consolidated power, did he tell the truth: 'I am a Marxist-Leninist and I will be one until the last day of my life.'
I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.
I've made so many films in New York. There was an assumption I think a lot of people had that I am a New Yorker, that I am from New York, and I always felt like nothing could be further from the truth.
For a while, many years ago, my job was to get mugged. My job was to walk around Times Square trying to get a mugger to attack me so that someone else could come in and arrest the mugger.
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