A Quote by Gloria Estefan
I only used my whole life one perfume, and it's Cartier's Les Must.
Related Quotes
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
Garlic, like perfume, must be used with discretion and on the proper occasions.
I was watching a movie called 'Perfume.' The book is really good, but the movie is really bad. My friend was making fun of it. He kept calling this obese guy a perfume genius. When I started putting my songs up on MySpace, I didn't know what was going to happen. I actually didn't put much thought into a name and just quickly used Perfume Genius.
I couldn't not play a Les Paul guitar. Les always used to point to my Strat and say, 'Why do you have that piece of crap around your neck?' I'd say, 'Yours are too heavy. I had to drill holes in it.'
Je ne crois que les histoires dont les te moins se feraient e gorger. I only believe in histories told by witnesses who would have had their throats slit.
The beloved of Allah are the perfume of Allah upon this world, but only the true, sincere believers have noses to smell them. They smell that beautiful perfume; they follow that smell. That perfume creates a yearning in their hearts for their Lord, and as a result the sincere believers increase their pace, efforts and devotions.
In matters of observation chance favors only the prepared mind. (not literal translation) - Dan's les champs de observation le hasard ne favorise que les esprits prepares.
As for her perfume, it was the kind you only noticed after she'd left a room, not while she was still in it. Even then you didn't realize it was perfume, you only wondered what had made you think of her just then.
Until I was a teenager, I used red pokeberries for lipstick and a burnt matchstick for eyeliner. I used honeysuckle for perfume.
The dizziness in the face of les espaces infinis--only overcome if we dare to gaze into them without any protection. And accept them as the reality before which we must justify our existence. For this is the truth we must reach to live, that everything is and we just in it.
This perfume was not like any perfume known before. It was not a scent that made things smell better... it was completely new, capable of creating a whole world, a magical, rich world, and in an instant you forgot all the loathsomeness around you and felt so rich, so at ease, so free, so fine.
We must see the great distinction between a reform movement and a revolutionary movement. We are called upon to raise certain basic questions about the whole society . . . . What America must be told today is that she must be born again. The whole structure of American life must be changed.
I used to listen to my music on the bus. It was one of my favourite things, to look out the window and over at the Jacques Cartier Bridge and Parc Jean-Drapeau.
I wanted to only create a great perfume, not any perfume that would sell, but a great artistic one that the fans would not feel cheated by.
To confer the gift of drawing, we must create an eye that sees, a hand that obeys, a soul that feels; and in this task, the whole life must cooperate. In this sense, life itself is the only preparation for drawing. Once we have lived, the inner spark of vision does the rest.
Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.
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