A Quote by Gloria Estefan

My guitar and singing was my way of crying. — © Gloria Estefan
My guitar and singing was my way of crying.
I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
When you think of blues, all you think about is crying guitar like B.B. King's guitar. You think about someone crying that their woman's gone. And how bad life is and all that. Why can't it be something happy with the blues? Why can't it have a hip-hop beat to which you can do the dances of today?
I always try, when I'm singing songs, to interpret them the way that I would've arranged them. I think about the melody first, and then I pull out my guitar and start singing it.
There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.
I'm Mexican, and we do a lot of singing, and it was my brother's guitar that I'd practice on, and he would say, 'Who's that playing my guitar?'
You can approach the guitar like a voice. That's the best way of looking at it. If you are singing, you can't keep going a million miles an hour. You can only fit so many syllables in, so think about what you can sing through your guitar. Players like David Gilmour and Neal Schon are great at that kind of thing.
When I was 15 years old, my cousin and I formed a singing group called The Altaires. And, because we became the most popular singing group in the Tri-State area, the rest of the group convinced me I should play the guitar - even though I didn't own one! So what happened was, my stepfather actually made my first electric guitar for me for $23!
I love singing. I have spent as much of my life trying to improve my singing as I have practising guitar.
I was a singing guitar player as a kid, and I found it really embarrassing, so I stopped singing and became a drummer.
However, it [singing] wasn't until halfway through high school that it dawned on me that singing wasn't just a hobby, it was something I had a growing need for in my life, and that was about when I adopted the neglected guitar I found under our piano and started singing about all the things I could never say.
I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
I played guitar all my life, all the way through the Yardbirds, but I knew that for me, this was going to be a guitar vehicle, because that's what I wanted it to be. There is no way I would play guitar like a tour de force like I did in Led Zeppelin.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
The way I started playing music was sitting around with friends and singing songs. I love good ol' fashioned guitar pulls.
If I were not a black artist but I was still singing, playing guitar, and singing ballads that are spiritual and cerebral, I'd be easier to market because people accept that from white female singer-songwriters faster.
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