A Quote by Gloria Estefan

The reason I’m not more political is because I have music. And from a young age, I needed it. After prison, my father came to America, joined the Army, fought in Vietnam - and was exposed to Agent Orange. He died a slow, horrible death. Music was my escape.
The reason I'm not more political is because I have music. And from a young age, I needed it. After prison, my father came to America, joined the Army, fought in Vietnam - and was exposed to Agent Orange. He died a slow, horrible death. Music was my escape.
I was in Vietnam, and I was exposed to Agent Orange. And there's a high relationship between people that were exposed to Agent Orange and the kind of lymphoma that I had. The prostate cancer was genetic in my family. My father had prostate cancer, my - three of my four uncles had prostate cancer.
Music can be a distraction and an escape. Sometimes a welcome escape. You need it. But music can also serve a very important social function because music can do things that mere prose, mere ordinary political agitation can't do.
My father died early. My mother died early. I started hanging with the gangs. I'm on the streets; I'm committing crimes. And the music came along, and this music just took me on a different road.
I was exposed to Grace Jones and highlife music at a young age. I would sing along and as I grew up, music was the only thing that felt like a safe haven for me.
From 1967 to '70, Nigeria fought a war - the Nigeria-Biafra war. And in the middle of that war, I was 14 years old. We spent much of our time with my mother cooking. For the army - my father joined the army as a brigadier - the Biafran army. We were on the Biafran side.
Forgotten tones of love recur to us, and kind glances shine out of the past--oh so bright and clear!--oh so longed after!--because they are out of reach; as holiday music from within a prison wall--or sunshine seen through the bars; more prized because unattainable--more bright because of the contrast of present darkness and solitude, whence there is no escape.
I joined the army after 9/11, after the Iraq war was started. I joined in part because I wanted to go fight on the front lines.
I love music and listen to music all the time, but I didn't realize how much my body needed music. I needed it more than sex.
My experience of my father's death was that it was still taboo; nobody would meet me after my father died because they didn't know what to say.
Politicians had always viewed environmental issues as narrow things of no great political consequence. Sort of NIMBY issues. A big part of the reason was that the groups that cared about wilderness didn't talk with the groups that were trying to stop freeways from cutting through inner cities, and neither of them talked to the folks who wanted to stop the military from dumping Agent Orange on Vietnam.
The first music I was ever exposed to was Irish folk music, like the Clancy Brothers. My father plays that and Christmas songs.
Roc Nation has an army. I'm happy because this is what I needed. I have the music, but they have the muscle.
I do have a big problem with the idea of music as a form of communication unless it's political - and that's where it's tricky because a lot of music is political, even if it's not overtly so. But my music isn't that; it's about a feeling.
I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.
My parents came to America in the late 1960s because my father studied for a Ph.D. in Indiana. My mother joined him later. We had ancestors who came over at the turn of the century. One worked in a laundry, as is typical of Chinese-American immigrants.
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