A Quote by Gloria Estefan

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.
My inspirations include the Beatles - love, love, love them - Elton John, Carole King, and Stevie Wonder.
I saw soda pop for $1.20 a six pack. That price messes with your head. You start thinking you're gonna sell soda pop. Suddenly I've got packs of pop with me. "Looking to buy some pop? 50 cents a can. It's not refrigerated because this is a half-assed commitment!"
I remember listening to 'Songs In The Key Of Life' as a kid. Stevie Wonder has an ability to manipulate pop into something globally obtainable. Anyone can listen and enjoy it because there's something for everyone. That woke me up to the possibilities of pop music.
When we first started out we only had five or six songs we could play live, so if we ever got an encore, we used to do our cover of City High's 'What Would You Do?' We'd be playing it and people's mouths would be moving singing all the words, but they'd be thinking, Where is this song from? It's such a brilliant pop song but the lyrics are so dark.
Nobody put the camera on the background singers who were singing. It was on Stevie Wonder. It was on Elton John. It was on whoever was the lead singer out front. We were 20 feet from stardom.
I wrote all the lyrics on 'Good Vibrations' and most of them in 'Kokomo.' 'Kokomo' was extremely popular and fun to sing - it's probably one of the bigger sing-along songs in our show. But then 'Help Me Rhonda,' 'Surfin' USA' and 'California Girls' and 'I Get Around' and 'Fun, Fun, Fun' are great songs as well.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
I like pop music, especially Crosby, Nash, Stills and Young, Stevie Wonder and Paul Simon - he's broken up with Art Garfunkel hasn't he? - but I can't study while pop music is playing.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
When you sing in English and Spanish, it's two completely different forms of expression and... even the people who don't speak Spanish love to hear me sing in Spanish.
I wish I was a prolific writing wondrous boy genius - I wish I was Stevie Wonder - but I wasn't. I was me. I wrote terrible songs about girls I was head-over-heels about. As soon as a pretty girl looks at me, that's it - I'm in love, and I should probably write a song about it!
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
I dabbled a little bit in the whole music thing but I've always thought about Bernie Taupin, who is Elton John's lyricist; Elton John is the great melody and song writer but Bernie Taupin is the one who writes all the lyrics. I don't write lyrics, and I never wanted to be in the music business if I was just going to be a puppet in it.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
Occasionally, a great band would come along, like Blondie or OutKast who could be pop and bring interesting ideas into the mainstream at the same time. That's now gone, because of this weird mutation of pop, rap, R&B, bad rave, and supposedly soulful singing on top of it.
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