A Quote by Gloria Leonard
The difference between pornography and erotica is lighting.
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I don't know what the definition of pornography is and nobody else does either. Pornography is somebody else's erotica that you don't like. People are interested in their own sexuality and they've always reflected it in their art. End of story.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
In short, pornography is not about sex. It's about an imbalance of male-female power that allows and even requires sex to be used as a form of aggression. ... But until we finally untangle sexuality and aggression, there will be more pornography and less erotica. There will be little murders in our beds - and very little love.
Erotica: the depiction of naked men. Depictions of naked women are far less innocent and are known as "pornography."
Pornography is about dominance. Erotica is about mutuality.
Since the point of erotica is to offer the consumer sexual experiences without having to compromise with the demands of the other sex, it is a window into each sex's unalloyed desires. Pornography for men is visual, anatomical, impulsive, floridly promiscuous and devoid of context and character. Erotica for women is far more likely to be verbal, psychological, reflective, serially monogamous and rich in context and character. Men fantasise about copulating with bodies; women fantasise about making love to people.
Though both erotica and pornography refer to verbal or pictorial representations of sexual behavior, they are as different as a room with doors open and one with doors locked. The first might be a home, but the second could only be a prison.
Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer.
I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all a difference of imagination.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself.
I'll defend child pornography, how about that? What's wrong with seeing some child pornography? What if you watch child pornography because you find it hilarious? Then should it not a protected freedom of speech?
For example, I'm a great fan of pornography, but I don't see any reason not to restrict it so that people walking down the street who hate pornography don't have full color pictures outside of movie theaters. Let them be in a different district. I'm kidding about pornography, but you get the point.
The plague of pornography is swirling about us as never before. Pornography brings a vicious wake of immorality, broken homes, and broken lives. Pornography will sap spiritual strength to endure. Pornography is much like quicksand. You can become so easily trapped and overcome as soon as you step into it that you do not realize the severe danger. Most likely you will need assistance to get out of the quicksand of pornography. But how much better it is never to step into it. I plead with you to be careful and cautious.
The difference between play and what is regarded as serious employment should be not a difference between the presence and absence of imagination, but a difference in the materials with which imagination is occupied.
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