A Quote by Gloria Naylor
I wrote what I felt I had to write, and I'm willing to put my own sanity and my reputation behind it.
Related Quotes
no one wanted to look at the common evils of society. Very few were willing to put aside their own pursuit of happiness long enough to consider the effects of greed and jealousy around them. From what she'd seen, humans were essentially troubled. For every one behind bars, another ten deserved to be behind bars, but that would put one in ten Americans behind bars.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
I realized that everything I had to do I could not do on my own, and so I was almost obliged to put myself in God's hands, to trust in Jesus who - while I wrote my book on him - I felt bound to by an old and more profound friendship.
One might talk about the sanity of the atom the sanity of space the sanity of the electron the sanity of water- For it is all alive and has something comparable to that which we call sanity in ourselves. The only oneness is the oneness of sanity.
Andrade had a large reputation to uphold because of his rich family heritage in Mexico, and he upheld that reputation because of my management behind the scenes.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own.
In Scotland you can enter a comfort zone. I felt I had already developed a reputation there and felt it was important to prove I can play elsewhere.
For a very long time, I wrote a book a year, and was eager and willing to do it, to put bread on the table, to have my work out there. Now I must write a book every two years, and that's never enough time, either.
Sanity and enlightenment...I've been reading a new book Dogen's Genjo Koan: Three Commentaries, and it contains a commentary on Genjo Koan by Shunryu Suzuki, the author who wrote Zen Mind, Beginners Mind. He doesn't mention sanity at all but I think that one possible definition of enlightenment would be a kind of profound sanity, where being insane is no longer an option.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
When I lost the job with Cricket Australia, I almost felt I had unfinished business to do. I felt that my reputation with South Africa and internationally had been very good. And then you lose your coaching job, it is tough. It kept me three years out of it.
You aren't thinking or really existing unless you're willing to risk even your own sanity in the judgement of your existence.
I wrote music. I was in a hardcore band when I was 14, and I wasn't good enough to play anyone else's songs, so I had to write my own.
Time, Kate was learning, was like a river. You might put up obstacles, even divert it briefly, but the river had a will of it's own. It wanted to flow a certain way. You had to force it to change. You had to be willing to sacrifice.
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