A Quote by Gloria Steinem

Society certainly encourages women to be victims in every way. I mean if we want approval, we have to sing the blues, even as singers we sing the blues. — © Gloria Steinem
Society certainly encourages women to be victims in every way. I mean if we want approval, we have to sing the blues, even as singers we sing the blues.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Society certainly encourages women to be victims in every way.
When we sing the blues, we're singin' out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
Most people say, 'Well, Earl, you sing the blues,' or however they want to categorize it. I just sing songs.
Blues means what milk does to a baby. Blues is what the spirit is to the minister. We sing the blues because our hearts have been hurt, our souls have been disturbed.
These is old blues / and I sing em like any woman do. / These the old blues / and I sing em, sing em, sing em. Just like any woman do. / My life ain't done yet. / Naw. My song ain't through.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
We are trying to prove that the blues lives on forever and anybody in this place can sing the blues.
I can sing the blues and I have sung the blues. I feel it internally when I'm singing.
It's never hard to sing the blues. Everyone in the world has the blues . . .
I don't think I ever sing the same way twice. The blues is sort of a mixed-up thing. You just have to feel it. Anything I do sing is part of my life.
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