It's important to me to not stay too confined to any specific sonic space. There is something really magical about straight folk music - it's not that I don't like it, it's just that I like so much music, I hear so many different things, and I want to try more. I don't want to be confined.
Everybody who works under any system feels confined. It is a natural reaction. You are confined to a certain extent. You are confined if you work in a bank, if you paint. You are confined, in a sense, to your art - the enclosure of your mind. Everybody should break out.
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
I have spent six years in prison, the last six years. Even if I was outside the prison, how much actual space was there for an investigative journalist to do his work in Iran? But I know one thing for sure: That we, the Iranian people, are much more in line of danger than the West.
If you're put on a pedestal, you're supposed to behave yourself like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.
A pedestal is the most insidious prison ever devised.
Small objects, like the Walkman first and then the iPod, create bubbles of space around us that enable us to have a metaphysical space that is much bigger than our physical space.
In the space business, space had gotten very much to be the aerospace industry. This is something that governments only do and it's where the Boeings and the Lockheed's and the Northrop's and so forth. And there's no way these small companies could do it.
Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
The USA has more people in prison that any other country, including countries with much larger populations. 13% of the population is black but 80% of the people in prison are black, mostly for soft crimes.
Good-breeding is not confined to externals, much less to any particular dress or attitude of the body; it is the art of pleasing, or contributing as much as possible to the ease and happiness of those with whom you converse.
There is never any real danger in allowing a pedestal for a hero. He never has time to sit on it. One sees him always over and over again kicking his pedestal out from under him, and using it to batter a world with.
Home, home -- a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by a rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease, and smells.
The formula for prison is a lack of space counterbalanced by a surplus of time. This is what really bothers you, that you can't win. Prison is lack of alternatives, and the telescopic predictability of the future is what drives you crazy.
While I was in prison, I was indulging in all types of vice, right within the prison. And I never was ostracized as much by the penal authorities while I was participating in all of the evils of the prison, as they tried to ostracize me after I became a Muslim.
Whenever I happen to be in a city of any size, I marvel that riots do not break out everyday: Massacres, unspeakable carnage, a doomsday chaos. How can so many human beings coexist in a space so confined without hating each other to death?