A Quote by Gloria Swanson

The fuss that actors began making about the difficulty of shifting to sound struck me as perfectly foolish. — © Gloria Swanson
The fuss that actors began making about the difficulty of shifting to sound struck me as perfectly foolish.
With watercolour, you can pick up the atmosphere, the temperature, the sound of snow shifting through the trees or over the ice of a small pond or against a windowpane. Watercolour perfectly expresses the free side of my nature.
Lagrange, in one of the later years of his life, imagined that he had overcome the difficulty (of the parallel axiom). He went so far as to write a paper, which he took with him to the Institute, and began to read it. But in the first paragraph something struck him that he had not observed: he muttered: 'Il faut que j'y songe encore', and put the paper in his pocket.' [I must think about it again]
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.
You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.
I definitely get star-struck over - not so much actors and celebrities because I see them around and I work with some of them - but it's more things I'm not involved in that I get star-struck about.
I prefer eight hours of sound sleep at night. But on days when I can't, I try not to fuss about it and keep taking power naps through the day.
Nobleness was one word for making a fuss about the trivial inevitabilities of life, but there were others.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
When a guy says, "Don't make a fuss over my birthday," he means "Don't make a fuss over my birthday". When we say "Don't make a fuss over my birthday," we mean "Give me a surprise party. Do something lavish. Just don't tell everyone my age."
'Hot Fuss' was all based on fantasy. The English influences, the makeup - they were what I imagined rock was. I'm a dreamer, you know? So I dug into that dream and made 'Hot Fuss.' But hearing people call us 'the best British band from America' made me wonder about my family and who I was.
People are always making a fuss over my $15-20-million salaries. Believe me, the amount is meaningless once my wife, Maria, finds out about it. She's already spent half of my salary from Terminator 7!
I didn't want to be apologetic about my love story, and I think to be willing to write about love you have to be willing to sound foolish. I wanted to write about foolish and goofy love and different relationships. I wanted to write about interracial relationships in a way that does not pretend as if race does not exist.
I think, as human beings, we all have a fundamental mode, a basic way of relating to the rest of reality, and for me, it's always instinctively been about sound making and trying to extract information, grammar, meaning from sound making. That's been my way of navigating reality that's very personal; a painter might say they make marks or look.
The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.
I think we shall have ceased to be a racially divided society only when we stop making a fuss about colour.
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