A Quote by GloZell

Now my haters are very high class people, so I feel like I've moved up. — © GloZell
Now my haters are very high class people, so I feel like I've moved up.
Now we are proud that the government has moved from the class of the exploiters to the class of the people who were being exploited. And in the great name of the same class, I raise this nation's flag which is a strong symbol of this transfer.
I remember when the O.J. verdict was read; at my high school, all of the teachers were like, "We are stopping class right now," and turned it on and we watched it. There were people coming out of their classrooms, like, "Yeah!" Some people were like, "Nooo." I was in Spanish class.
Obama is the new kid with the weird name who people just sense is a little classier than his surroundings. He moved from a private school where he was class president and is now at the giant public high school with the metal detectors and the smoking lounge.
I feel like God has moved me into a different way of doing things. I teach basic on-camera acting class called Acting 101...In my classroom, the students get every ounce of encouragement and craft and anything I'm able to give them.We have some rules. We don't take the name of The Lord in vain. We don't use foul language when we mess up on camera...There's a climate of safety...They feel very protected.
Haters will be haters, you have got to acknowledge them and move on as the ratio of love to hate is too high.
Bradman is a whole class above any batsman who has ever lived: if Archimedes, Newton and Gauss remain in the Hobbs class, I have to admit the possibility of a class above them, which I find difficult to imagine. They had better be moved from now on into the Bradman class.
[it is] a high class kind of subversion, very high class. We're not second story burglars. We go right in the front door.
I always like to say, Bill Clinton created more millionaires and billionaires than any president, but you know what, more people moved out of poverty. Middle-class income - all-time high.
I grew up middle class - my dad was a high school teacher; there were five kids in our family. We all shared a nine-hundred-square-foot home with one bathroom. That was exciting. And my wife is Irish Catholic and also very, very barely middle class.
Sushi is something very exclusive. It is not like a McDonald's, not like a hot dog, not like a French fry. It's very high-class cooking in Japan.
I was born in Fayetteville, North Carolina, which is where J. Cole is from. I went up to Washington, D.C., where my mother moved, to stay with her, and then moved back to North Carolina to finish junior high and high school.
Having haters is just a part of the business, and the more haters you have, the more people like you - that's how I view it, because I try to see the positive in things.
In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class.
I was raised middle-class in a small town. I have all my same friends from high school. I'm close with my family. I'm dating a normal girl. So I want to feel people think I'm a man of the people. Because I feel that way.
I was shocked when I moved to Sydney how very few indigenous people I came across. And so when I go to places like Maroubra or Redfern or Waterloo or Erskineville, I feel more at home because of the people I'm around - anywhere I can see a face that reflects someone that looks like my family, I feel much more at home.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
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