A Quote by GloZell
A very long time, I've wanted to be a mom. When we started this, we didn't know how it was going to end up.
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Growing up, my mom was very strict about how I dressed and how I behaved, and I said to myself that I wasn't going to be like that. But now I know I'm going to be exactly like my mom. I'm going to be worse!
When I first started out in the industry, I was 12 or whatever, and I wanted to be on something so bad, and I didn't know what I was going to be on. At the time, I was in school, and I was working on drama and theatrical stuff, so I never thought that I'd end up going to comedy.
I was about 20 when my mom got sick with cancer and it was bad. It was very scary and at the time I was doing my first screenplay and I was on deadline and was alone with my father in Massachusetts. I said, "Pop, you know, I don't how I'm going to work. I don't know how I can get this done. You know, I got to hand this script in and I can't think about anything but Mom." He said, "Well, you know, now is the time when you're going to learn what it means to compartmentalize." And those words really had an impact on me.
When I started in the league, I went to a tailor and told him I wanted long t-shirts. But they were like, "You know, you don't know what the trend is." I was like, "Look dog, I don't care about trends or your fashion sense. If I'm going to pay you money, this is where the shirt is going to end."
I wanted to be a cool mom. It was hectic. I felt very isolated for a long time, but in the end, it was cool because it helped me and Ninja stick together. If we hadn't, we would have maybe drifted.
I have a very simple point of view, which is, I'm going to be alive for some amount of time; I don't know how long that's going to be. Then I'm going to be dead for a really, really long time. Right? You need to squeeze everything you can out of this time when you're alive.
I remember going to a theater once, and there was a stairway that wound its way out to the back. And I was very young, a small child, and I said to my mom, 'Why are those people going up those stairs?' And she said, 'You know, I don't know how to tell you this, I don't know how to explain it, but it won't always be that way, because it's wrong.'
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
Music has always been something I wanted to do. I think just the idea of performing and entertaining and being in the studio is really what I wanted to know how that felt. I started to get into it around the same time I got into acting, but it turned into a side project because my movies were taking up most of my time.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
My mom wasn't expecting me to end up how I ended up. When she wanted to have kids, she wanted to have two girls, and then she got my brother and me. Which is a disappointment to anybody. You can't help it.
Most of us have grown up, you know, I think there are very few people who have grown up in a home that was, like, super normal. You know, we all have dispositions because maybe you didn't have a mom or you didn't have a dad, maybe your mom died early or maybe mom and dad argued or they got a divorce or who knows? You have issues that maybe you've started younger or maybe you have your own issues because you have them.
In Long Island, people care about how much money you have. Even I did when I was growing up. I never wanted kids to see my mom's house because I was embarrassed that they'd tell everyone, 'Oh, Madison's mom is poor!' And she was definitely far from poor.
My mom always wanted me to be an actor. And I started going to theater and going on auditions young.
Everything started with my mom. When I was five, she asked me if I wanted to sign up for soccer, but I had some pretty wild contract demands. 'I'll only play if you're my coach.' So my mom went to the library and brought home a bunch of books on how to coach soccer, and that was it. She was my first manager.
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