A Quote by Glynn Turman

'12 Years a Slave' was very powerful, very moving, and deserved all of the acclaim it did get. — © Glynn Turman
'12 Years a Slave' was very powerful, very moving, and deserved all of the acclaim it did get.
I have so many really gifted friends, actors who I thought deserved as much as I did to get an agent or a job, or deserved more, and just never made it through somehow. I've always been really fiercely tethered to that. You know, I've been very lucky. All the filmmakers I've worked with have taken my desire to educate myself very seriously.
Sports broadcasting is very open now. In the beginning you did encounter more traditional attitudes and get comments. But I'm talking about 12 years ago.
I have four daughters, the eldest is 19, the youngest is 12, and I watched all of them journey into motherhood. Motherhood is very deep. It starts when you're very, very young. Now, my 12 year old comes in, wants to put me to bed. And she'll, you know, put her hand on my forehead and say the prayer with me. As for years I've done for her! It's almost like a very beautiful, natural transition.
Why I'm interested in filmmaking is because a moving image is very, very powerful when it comes to changing human behavior.
At the Oscars, if you didn't vote for '12 Years a Slave,' you were a racist. You have to be very careful about what you say. I do have particular views and opinions that most of this town doesn't share, but it's not like I'm a fascist or a racist. There's nothing like that in my history.
I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.
Ma-a-a-n-I'm very excited to put my heart into somethin' that's 100% Swizz Beatz. I usually work behind the scenes, and I did that for 10 years, and now I'm ready for the forefront... and [to] really get the legacy moving to another level.
The story [in 12 Years a Slave] serves as a metaphor for the fear of having your family taken away, and for being abused in such a horrific way. I lost it a lot of times watching that film, particularly when seeing the grace of the man when he finally makes it back home aged, changed, forever brutalized, and yet he apologizes to his family for his long absence. That was such a profoundly moving moment capturing the triumph of dignity over the disgraceful behavior of those involved in the slave trade.
If you take something like the slave-auction sketch, the warmth of the light gives it a crisp 12 Years a Slave look. And your eye tells your brain, "I should be taking this seriously."
A mantra is a very powerful word. It vibrates like music does, only not on this plane but on other planes of reality. It creates a powerful force. It starts the kundalini moving.
My 12 years in New York were very, very special, the fans were very special, and it's something I will take with me wherever I go and into retirement.
When we overthrew Mubarak, we did this in 18 days. And because we were very naive and very unexperienced in revolutions, we thought that that was it. It is very difficult to imagine that you can actually get rid of a dictatorship that has been there for 60 years only in 18 days. So we were very naive.
I think we deserved to get through and I congratulate the players. We said before the game that nothing was decided and that we had to play a good team which is very dangerous. We did well and we didn't give away many chances.
I get commercial acclaim because of critical acclaim and it is a chain reaction.
The electronic media introduced this idea to the larger audience very, very quickly. We spent years and years and years meeting with activists all over Europe to lay the groundwork for a political response, as we did here.
'Iron Man 3' was very educational. There's a train that starts moving which already has so many moving parts, and it's a constant process of animatics and storyboards and consulting meetings, and it's a very mechanical process once the script is written. It's sprawling, and they're throwing money at it to get these things accomplished.
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