A Quote by Godfrey

But there's times when I like to find the strange angles to something. People go, 'I heard a lot of jokes like that, but that's one of the most interesting takes I heard.' That's what I try to do.
I don't think I ever wrote a song. I can write a lot of jokes, but when I try to write lyrics they're the most direct, non-figurative words, like, 'I like you, I like you,'... and that's it, for the whole song. People would go, 'Ooh, this guy's Dylan or something.' It gives me a lot more respect for songwriters, actually.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
I feel like there's just so much of everything that I don't know what people have heard and what they haven't heard. I think with the fact that there's the Internet and that people can share home-made recordings, I think a lot of the songs do get to be heard, even if it's not the best quality, or there's clinking glasses or it's just piano and voice, people can at least hear the song.
I guarantee you that the people who watch 'Conan O'Brien' or who watch 'Entertainment Tonight' and probably a lot of these other programs have never heard of Operation Blessing. Maybe they have heard of UNICEF, and I'm sure they have heard of the Red Cross, but they haven't heard of this organization.
The more I can make a person comfortable in their environment by taking my ego's hat off and leaving it at the door, then they can dive deep within themselves and we can pull out something interesting that people have never heard before. It's the stuff that's - that no one's ever heard before is really interesting.
First, I have to read something and find it interesting and like the story. If I don't understand it fully, but there is something in there that is interesting, then it takes a director to convince me. If he can't do that, then I don't go with it. It doesn't matter where the project comes from.
We heard from the abortionists and we heard from the people who looked like Jacks, acted like Jills and had the odors of Johns.
Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something.
When I heard that 'Dracula' was being made into a series by NBC and Carnival, I couldn't resist. I knew they would do something interesting with it. A period drama with a supernatural twist seemed like a whole lot of fun.
I find people interesting and I love regional accents. I love the Norfolk accent actually but I haven't heard much as I've only just arrived but I shall go out and find it.
My nan, God bless her, used to buy the NME, then go to the chip shop and be like 'ooh check out that' every week, she'd be saying, 'Oh have you heard the new single by Arctic Monkeys?' and it's like, I haven't even heard this!
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
Metallica's 'black' album, when I heard that and I heard Lars' playing, and I just was, like, you know, 'Wow! Something really neat's been accomplished here.'
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
As a disabled person, I feel like a lot of times we don't get to be heard.
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