A Quote by Godfrey Gao
My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.
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Japanese train signs, station signs, are really representative of the Japanese mind to me, because it always has the station where you are, the station you were previously at, and the station that is the next station. When I came to New York, I was very confused. It just doesn't say where I was and where I was going. But I realized after a while probably most people don't need to know what station you were previously at. But I think it's just some weird Japanese mentality that we need to know, we need to connect the plot.
A friend of mine's sister was on a TV show here in Toronto, a popular show. I don't know I guess it must be some Canadian come line. Well Mr. Dressup a friend's sister was on Mr. Dressup and I just never understood - knew that I could know someone in the flesh that was on the TV. It was just a bizarre thing for me. I grew up drinking Coca Cola, singing to Michael Jackson and the '80s a pretty stand by me life.
I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."
It's also one thing to see a celebrity or some kind of character on a TV show being gay. It's a totally different thing when you know your husband... not your husband, but your brother or your friend or the dude you hung out in high school was gay. I mean, that is what changes people's minds, what changes people's minds.
The president of a TV network generously agreed to take his company's aptitude test, a test required of all the personnel. He did badly. As a result he was in a sullen mood for the rest of the day. When he got home that night, his wife asked why he looked so grouchy. I took the company's aptitude test this morning. What did it show? asked the wife. It showed, boomed the executive, that such tests are idiotic. That's what it showed.
I didn't have an agent. I would just write down that I was with my brother's agency, and then the agency would get calls and say that they had no idea who I was.
Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
I love watching old movies, and some of the holiday-themed ones are really great. I also have a bizarre thing that I'll do: I'll turn on a foreign-language TV station, usually Spanish, and watch a whole show, riveted, even though I have no idea what anyone is saying. I don't know why I find that so addictive, but I do!
People have often asked me, do I want to be the next Oprah - there is no such thing. Oprah is Oprah, and she's still being Oprah if anybody hasn't noticed... what I bring to TV is myself... I really think there's space in daytime TV for a whole bunch of fun, some amazing music, and some heart.
My aunt put my cousins into a children's modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
My aunt put my cousins into a childrens modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
I was 23 and working in Asda when my friend Tommy asked me about 'Gogglebox.' He worked on the show and couldn't find anyone to audition in the north east so asked if I'd do it, to help him out.
Anyone who watches even the slightest amount of TV is familiar with the scene: An agent knocks on the door of some seemingly ordinary home or office. The door opens, and the person holding the knob is asked to identify himself. The agent then says, "I'm going to ask you to come with me.
I was a TV producer at a noncommercial station, and we were producing some good documentaries - on Head Start, on poverty. But I was struck by the children, and the damage that poverty was doing to them. I didn't think filming them was helping much, so I wondered how we could use TV for them, to teach them.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
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