A Quote by Gok Wan

Well, I've always been quite experimental with how I look. — © Gok Wan
Well, I've always been quite experimental with how I look.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
Well here's how I look at it, I've always been someone that's liked to have things on my plate, it just keeps me going.
I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?
If people ask me, I always tell them: "Quite well, thank you, I'm very glad to say." If people ask me, I always answer, "Quite well, thank you, how are you today?" I always answer, I always tell them, If they ask me Politely... BUT SOMETIMES I wish That they wouldn't
It is quite hard to relax in London. I always say I'd move somewhere quieter, but I am a bit of a confirmed urbanite now - it crept up on me without me noticing. I always think that I function quite well on my own, unusually so, but then I'm reminded how important people are to me.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
There's this issue where I'm really doing well and got hate 'cause I'm too light-skinned. I understand why people say that - throughout history, the lighter you are, that's how it's been. But it's not my fault. My mom and dad had me! I look how I look.
I think I was the only person in my experimental film class doing comedy. But my sense of humor and a lot of comedy that I love is quite surreal and strange, you know? You could argue that 'Monty Python' is experimental film. It just happens to be really funny.
I have never, for a single moment, been aware of pressure from anyone in television about how I dress, what my shape is or how I speak. I've always written my own scripts. I've always been the first to point out that I need to be fit. I need to look good.
Because I have always felt privileged. I have been able to do what I love, I have always been treated well, I have always been paid well so that's why. I feel that I owe something; that I need to return something. It's always been a great pleasure but nevertheless I do feel this responsibility.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours, shapes. And so a picture emerges that may look quite good for a while, so airy and colourful and new. But that will only last for a day at most, at which point it starts to look cheap and fake. And then the real work begins - changing, eradicating, starting again, and so on, until it's done.
I've always felt that almost every part I've played has been a character part. I mean, I look at it that way. I can't help how I look or how I seem to people.
I've come to embrace the notion that I haven't done enough in my life. I've come to confirm that one's title, even a title like president of the United States, says very little about how well one's life has been led. No matter how much you've done or how successful you've been, there's always more to do, always more to learn, and always more to achieve.
Well, the clues are there. They always are. Which is why when crimes are solved decades after the fact, it's obvious that the clues had always been right in front of them. A traffic ticket in Brooklyn is how they got ["Son of Sam" serial killer] David Berkowitz. You've just got to look.
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