A Quote by Goldie

When I was growing up in the 1980s in the Midlands, I felt abandoned and misunderstood. Then I chose drum 'n' bass and graffiti as my subcultures - which didn't really help.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
Growing up in the mid-to-late '90s in London, you start seeing the explosion of drum'n'bass and then the birth of U.K. garage and grime. I decided to focus a lot of my energies as an aspiring MC. It was a very natural way to express yourself as a kid from a certain kind of neighborhood.
I got heavily into the drum-and-bass scene, which is really wicked.
Where I grew up, there was only one CD shop, and I didn't really like school, so we'd register, then bunk off, and we would be round my mate's house making drum-and-bass mix tapes.
I think drum'n'bass music did for the electronic world what graffiti did for the world of art because it was raw and everybody wanted to take from the raw.
I grew up on the pirate radio scene which started out as drum 'n' bass music. U.K. garage picked up and got bigger on the back end of that.
The bass should be the note of the bass drum, and then you've got the engine of the band that everything else builds on. Everything else, the guitar, the keyboards, is a colour.
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
I have to be careful, as I don't want to offend Midlanders, but growing up, it wasn't like growing up in London. Anything you were interested in, you'd be able to find someone also interested in it. In the Midlands, nobody came out as gay at my school at all.
The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
Around age 11 or 12, I started playing jazz bass. From there, I went to electric bass and then guitar, which I kept up for a long time.
Growing up, I didn't feel very cool having come from the Midlands.
I was a big Drum and Bass junkie when I grew up.
I normally start at the computer with something really simple like a four-bar loop of a drum sample or a bass line. And then I just start adding layers of synthesizers.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
I've always felt misunderstood. Growing up, it's been my word against the teachers' or my parents' word, and nobody would ever listen to me.
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