A Quote by Goldie
I have never engineered a record. I will draw a record and I'll show you what it's gonna look like. And I will design it and sketch it out and show you, you know, the breaks are coming in here. Sixteen bars. Move out. 32 bars and you get this baseline. Repeat this. Ghost it. Take the tops out of that. Make it go thin. Get a filter. Reverse it.
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If you want to be a chef or a scientist, you've got to know what the current thinking is, so if you want to write comics or draw comics find out what the very best ones are and look at them all and then you'll know where the bars are because the bars are often very high, if you are going to make a splash and make yourself known, you need to get to that level.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.
I will definitely drop bars, but that's, like, a few minutes of my show. I do a part of my set where I do that, and then I'll get back to the jokes. All the older people will look like, 'What the hell is happening?' The younger people are cheering, and the older people are like, 'I'm scared. I don't know what's going on.'
I'm not ruling out music forever. I'd love to do that, but if I ever did, I don't think it would be with a record label or anything like that. It might even look like me finding a band and kind of playing in bars.
But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami - but the diamonds will keep me cool.
But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami-but the diamonds will keep me cool.
I don't know if I'm selfless - I still want to make a great record. I want to make a hit record. I want to tour; that's not completely selfless. But the truth is I'm not interested in people coming to my show for me as much as I am for them coming to my show for themselves. That's always been how I am.
I started out as a pianist and singer in gay and piano bars - they were the only places I could get a job singing show tunes.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
Shoot, there's a committee to tell you everything at a record label. You definitely have to know who you are if you want to look like you at the end of the process. We've all seen people get record contracts, and by the time they're spit out by the machine, we don't even recognize them.
The only reason people go to bars is to get drunk and have sex. To me, bars are what hell is like.
Vietnamese are very similar to the Chinese. They just can't sit on gold bars underneath their beds. Eventually, they will pull out their gold bars and invest.
I learned that unless you start working, if you're frozen out of work, you will never learn the habits, the discipline, the values of cooperation and improvement unless you get a job, and that's what statistic show. It's, unless you get a job and keep it, you will not get out of poverty. If you do, you have a very good chance of working out of poverty.
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.
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