A Quote by Goldie Hawn

Whether you're an actor, producer, writer, or director, it's all about the story you're going to tell. — © Goldie Hawn
Whether you're an actor, producer, writer, or director, it's all about the story you're going to tell.
My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.
I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.
If I have to wear a hat as a producer to do that, then I'm willing to do that. An actor's, producer's and director's point-of-view is all the same to me, as long as the story's being told.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
I'd been on all the television programs as an actor, as a writer, as a director, as a producer.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
I want to be a director, producer, and a writer. And an actor. So, like, all the things in acting, basically.
If I had to rate them in order of preference, it would be writer, director, actor and then producer.
You must become the producer, director and actor in the unfolding story of your life.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.
I learned a lot about filmmaking from my dad. Starting when I was a child, I would listen to my dad as an actor, writer, director and producer talking about films - you know what the treatment would be in the opening, in the middle, and in the ending.
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