A Quote by Goldlink

With 'Opening Credit,' we were trying to establish a certain tone and put people in a specific mood. — © Goldlink
With 'Opening Credit,' we were trying to establish a certain tone and put people in a specific mood.
Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character.
Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.
Credit means that a certain confidence is given, and a certain trust reposed. Is that trust justified? And is that confidence wise? These are the cardinal questions. To put it more simply credit is a set of promises to pay; will those promises be kept?
There are hundreds of millions of people around the globe who could safely repay loans but nonetheless do not have access to a line of credit. Financial institutions in developing economies are broken and inefficient, and hard-working people have not been given the chance to establish a credit history.
I do believe, especially with the character of Batman, that the tone and the mood of the book is 80% of the job right there. And the more control I had over the story, the more control I had over the tone and the mood.
Even though you're filming something and it's all scripted, there's still a sense of ritual about it because you're filming a ritual. It has all these little details that you want to capture, and a very specific mood and tone.
I think everybody can agree that you can hear a certain song and it will put you in a certain mood, and that's just the beauty of music and I am so inspired by that.
Once I establish credit, I may be able to function. A man needs credit. Especially when he has no money.
Research, for me, it's trying to get a mood, a mood of a place and style of people and it's also trying to boost my confidence and get the adrenalin flowing. I go off on my trips to odd places and dark corners, feeling somewhat apprehensive and nervous.
For myself, if I'm trying to obtain a certain longevity in my career, to establish myself as a certain kind of star, I don't want that black exploitation image.
I am certain that my family - my grandmother, mother and myself - had a credit score of zero when we arrived in 1976. There were no credit cards in the Soviet Union, and we didn't have any money.
I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
Humor is the hardest thing to do. Action is so much easier, because you're just trying to establish the mood, and a pacing, and a rhythm, and an energy. Where, in humor, comedy is so subjective.
You got some artists who want street credit. Like, they market street credit. They take certain incidents and turn it into marketing to try and boost the sales. You don't never see me speaking on that. I'm trying to stay away from it.
...and the funny thing was that people who weren't entirely certain they were right always argued much louder than other people, as if the main person they were trying to convince were themselves.
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