A Quote by Golshifteh Farahani
In my life, my parents wanted me to be a musician, I was supposed to go to Vienna to study piano. But this train wanted to go in another direction.
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Indiana wanted to go in a different direction, wanted to go younger, and the Lakers wanted me, so I said, who wouldn't want to be in L.A? That was a no-brainer.
My father was a musician and wanted me to study piano. I had no interest.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
This whole 8 for $8 tour, I handpicked every city, every market on this tour, I handpicked myself. I wanted to go to New York, I wanted to go to Baltimore, I wanted to go to Philly, I wanted to go to Chicago, I wanted to go to Atlanta, of course I wanted to go Memphis, I wanted to go to Oakland.
Yes, I started piano and classical singing, I wanted to study jazz, but I tried to go to the Polish University of Jazz, but they didn't want me. In Krakow, I wanted to conduct, they didn't want me. And I start to think, 'I have to do something.' In Krakow there was drama and music. I started to study.
I wanted to do everything right. I wanted to be good, and I wanted to be obedient, and I wanted to be the object of my parents' pride. I wanted to go to Heaven.
I always wanted to be a musician, 100 percent, my whole life. I went to school, I did music theory, I did voice training and piano lessons, and while I was a decent musician, it didn't seem like enough for me. I felt like I wanted to make more than just music.
My dad really wanted to work in Tokyo and he made it happen. That's important in the way that I grew up. If my parents wanted to do something, then they would do it, and they always push me to try things, to not be afraid of changes and to go out in the world and not be bound by what we're supposed to do.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
Everywhere I went, Rapid Vienna or Austria Vienna, there was always a problem. I just wanted a coach who said: 'Just go out and win us the game.'
Another train will come. Why rush? Why worry? Why go crazy? Another train will come. And sure enough, another train going my way was pulling into the station. My bad mood evaporated. I entered the car smiling, certain that there would be more missed trains in my life, more closed doors in my face, but there would always be another train rumbling down the tracks in my direction.
I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
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