A Quote by Gong Li

Fans in China are very different from those overseas. In China, many people really love me and care about my life. But there is always some jealousy mixed up in this feeling of love. I think that is the big difference. Overseas, there is none of that.
I have a huge admiration for fans in China. I think they're some of the greatest basketball fans in the world. I think they're passionate and love the game, almost second to none.
I had the interesting experience of having lived and worked for six years in China with Procter & Gamble, and that just changes, I think, your whole perspective in living overseas and living in a country like China.
I have friends from China - by the way I love China. I love Japan. I have people that buy my apartments, I have people that work for me from China.
You American people worry too much about the China economy. Every time you think China is a problem, we get better, but when you have a high expectation for China, China is always a problem.
If you donate overseas, it's a simple matter. In mainland China, there are so many headaches.
Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit.
China is the big economic engine in Asia, so what happens is, as China growth expands, these countries in the periphery of China, whether it be Indonesia, Malaysia, Singapore, the Philippines, they end up growing with China because they become big exporters.
I've been to Canada, and they love - oh my God, they love their stand-up comedy in Canada. I've been overseas to do shows for the troops all over the Middle East, and I actually went to China recently and did shows, not for the troops, but just for local Chinese people, and Americans that have moved there, and things like that. It was fantastic. They got it. They're way smarter than we give them credit for.
Well, I think we are seeing some shifts in manufacturing. China, when you go in and you talk to the big manufacturers there, the biggest problems in mainland China are recruiting and retention. There isn't an endless supply of cheap labor anymore in China. And it's now true that the labor rates in Mexico are lower than in China.
People have put a lot of faith in the government's ability to get growth going in China. People have this, what I think, illusion that there are six people in China who really have their hand on every button. And what we're learning is, it's a very big economy and they're not that good at it.
One of the things you learn when you go overseas is how much a lot of the countries overseas really just like to enjoy life.
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
I've been studying China for quite some time now, and I'm big on China as well. And I think we need to be very concerned about Chinese technology getting into our systems or the systems of our allies.
But I believe in fair trade, and I will tell you, I have many, many friends heading up corporations, and people that do just business in China, they say it's virtually impossible. It's very, very hard to come into China. And yet, we welcome them with open arms.
I think what you can see is that we have worked very closely with China. China has really stood up in putting the pressure on North Korea.
The model today is that as much as 70 percent of the financing of the picture would come from overseas. Now we're beginning to run out of suckers, because there are not that many people overseas who are willing to put up more than half the money for a movie.
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