A Quote by Gonjasufi

What really changed my life was watching the movie Juice and the opening scene - just hearing that record rotate. When I heard that I started getting serious about DJing and making beats and recording myself on the four-track.
I started spinning house and R&B. I was taught how to DJ from house producers, so it was mostly house music in the beginning. But then sometimes people can get a little tired of hearing the same four-four beats all the time, so if you throw a little R&B in there as well, it gives people a little breather. That's the way I was DJing then when I learned how to spin. That was my introduction to house music in general, which was eye opening for sure.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
I got FL studios; I looked up how to make beats and how to record myself, and then I just started making music from there.
I'm from the generation that's always been recording, from the very beginning. I learned to play the guitar on the four-track. I started listening to music at a time when people were doing recording at home, when the discussion about songwriting correlated to the discussion about producing and engineering. I think that's a description of my generation.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
Oddly, when I started to make the record, I wasn't aware I was making a record. I just was sort of disgusted with the whole thing and sequestered myself in the basement and started playing the piano just for something to do.
I started playing instruments before I started making beats, and I was never the best guitarist or the best pianist or the best drummer. And when I started making beats, I was not the best beatmaker, and when I started making hooks, I was not the best vocal melody person. When I first started rapping, I wasn't the best rapper at all.
Look, I've had four kicks at the can. You've had a tremendous career. We're also happy. We've loved. We've lived. We don't starve. We haven't been shot in the gut. So at that point, I started getting a little more serious about the content we were making and the business and building the business. I also became more serious about life and being happy. I got married, I have kids - I'm happy at a cellular level now.
I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
I had writers block for months afterwards because I was just so taken aback by all of the sounds I was hearing. It's almost like hearing the most beautiful music you've ever heard, so you're like, "What's the point of me making anything?" It was this living sonic organism so the idea of recording something just seemed like taking this living thing and mummifying it.
This record for the first time - feels like a record that really represents my whole entire life and instead of just a period of my life. And it is really kind of eye opening and it makes me feel really good to hear this record and hear all the years.
I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.
I was about 12 when I heard my first Lenny Bruce record. He was already dead. But it changed my life and really did change the world.
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