A Quote by Gonzalo Sanchez de Lozada

As a political exile, you always think you're going home next year. — © Gonzalo Sanchez de Lozada
As a political exile, you always think you're going home next year.
With housing it's something even more dramatic than that, because most people aspire to own their own home.If you really think that houses prices are going to go up next year and the year after, you feel if I don't buy it this year, I'm going to have to buy it next year.That's not true of an Internet stock. But it's true of a home.
If you really think that houses prices are going to go up next year and the year after, you feel if I don't buy it this year, I'm going to have to buy it next year. [...] And when somebody makes it very easy for you to do it by saying you don't really have to put up my money, you can lie about your income a little, or we'll give you 100 percent mortgage, you're going to do it, because everybody that's done it has been proven right. You have what they call social tools, and, you know, you're going to feel like an idiot if you didn't do it, because the house cost more.
And I'm going to work as hard as I can... for cancer research and hopefully, maybe, we'll have some cures and some breakthroughs. I'd like to think I'm going to fight my brains out to be back here again next year for the Arthur Ashe recipient. I want to give it next year!
I always know I'm going to lose my job. It's either going to be canceled next week or next year or nine years from now, but I always know my job is going to go.
My exile was not only a physical one, motivated exclusively by political reasons; it was also a moral, social, ideological and sexual exile.
I think to be in exile is a curse, and you need to turn it into a blessing. You've been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, 'I will not be silenced.'
I think the Brexit vote in Great Britain informing this populist movement of nationalism is kind of a global thing, and I think it's no particular political party's fault. People have been left behind, and in America, we're used to going forward. It's always like we're going to be better; the next generation's going to be better.
I think to be in exile is a curse, and you need to turn it into a blessing. Youve been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, I will not be silenced.
An adventurer can always return home; an exile cannot. So I decided that my home would be culture.
Often when we think of exile we think of destruction or loss. But the Dalai Lama always says exile is reality, it's something we can make use of, and he has used it to get rid of everything that he thought was stifling and old, and to create a new, improved and much healthier Tibet.
Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.
Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
I always tried to live up to Leo Szilard's commandment, "don't lie if you don't have to." I had to. I filled up pages with words and plans I knew I would not follow. When I go home from my laboratory in the late afternoon, I often do not know what I am going to do the next day. I expect to think that up during the night. How could I tell them what I would do a year hence?
When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
I am a black person. I come out of an experience of exile and migration. I have always felt myself to be at once at home and away from home at the same time. It is inevitable that my perspective will be international.
England is my home. London is my home. New York feels like, if I have to spend a year living in an unfamiliar city, this is a pretty lovely one to spend a year in, but I will be going home at the end of it, certainly.
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