A Quote by Goodluck Jonathan

I've always affirmed, nobody's ambition is worth the blood of any Nigerian. — © Goodluck Jonathan
I've always affirmed, nobody's ambition is worth the blood of any Nigerian.
My political ambition is not worth the blood of any Nigerian
I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
I live half the year in Nigeria, the other half in the U.S. But home is Nigeria - it always will be. I consider myself a Nigerian who is comfortable in the world. I look at it through Nigerian eyes.
I often make a joke of my parents, because I come from a Nigerian background and there's a stereotype in the Nigerian community that all of us are going to be doctors and lawyers, and that's just how it is. But upon reflection, my parents were always really supportive of me doing music.
Nobody got murdered before lunch. But nobody. People weren't up to it. You needed a good lunch to get both the blood-sugar and blood-lust levels up.
Nobody sits alone accompanied only by a stewing ambition that won't see fruit for years. Ambition is something you turn into publicity before there's anything to publicize.
Without undervaluing any other human agency, it may be safely affirmed that the Common School, improved and energized, as it can easily be, may become the most effective and benignant of all the forces of civilization. Two reasons sustain this position. In the first place, there is a universality in its operation, which can be affirmed of no other institution whatever... And, in the second place, the materials upon which it operates are so pliant and ductile as to be susceptible of assuming a greater variety of forms than any other earthly work of the Creator.
By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.
The fact that the work is affirmed by the Museum of Contemporary Art I think sends continued signals that this is worth paying attention to, looking at, and understanding.
To put it as simply as possible: I am not a Muslim.[...] I do not accept the charge of apostacy, because I have never in my adult life affirmed any belief, and what one has not affirmed one can not be said to have apostasized from. The Islam I know states clearly that 'there can be no coercion in matters of religion'. The many Muslims I respect would be horrified by the idea that they belong to their faith purely by virtue of birth, and that a person who freely chose not to be a Muslim could therefore be put to death.
By any sane definition of success, if you wake up in a pool of blood and nobody has shot you, you are not successful.
Musically, I have little ambition. The only real ambition I have is to make music and do music whenever I feel like it, without any real ambition or planning.
The philosophy I shared... was one of ambition - ambition to succeed, ambition to grow, ambition to move forward - backed up by hard work.
If you leave your art, the world will beat you back to it. The world has not an ambition worth sharing, or a prize worth handling.
Love says respect the other as an end unto himself or herself; never use the other as a means. Nobody is a means for you, everybody is an end. But then ambition will flop, and our whole educational system depends on ambitiousness, our politics depends on ambition, our religions depend on ambition.
The maxim is, that whatever can be affirmed (or denied) of a class, may be affirmed (or denied) of everything included in the class. This axiom, supposed to be the basis of the syllogistic theory, is termed by logicians the dictum de omni et nullo.
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