A Quote by Gopi Sundar

I owe a lot to Rosshan, who literally plucked me from obscurity as a keyboard performer and handed me the background score of 'Notebook.' — © Gopi Sundar
I owe a lot to Rosshan, who literally plucked me from obscurity as a keyboard performer and handed me the background score of 'Notebook.'
David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.
I was discovered, or mentored, by Norman Lear, who plucked me from the grinder of relative obscurity.
My first movie ever was 'Breaking Away.' I stumbled into an incredible part in a movie that was incredible to be a part of. Peter Yates, the director, became a lifelong friend. He sort of plucked me from obscurity and gave me a life.
There's a clip where he had someone miming me running around from keyboard to keyboard. Oh dear, I am sure a lot of people didn't know what he was going on about.
I haven't had a big-ass feature, somebody put me on a label, cash money didn't come scoop me up. I've literally put myself into millionaire position. All the stuff I've done and I'm doing has nothing to do with nobody. I don't owe anybody anything. No wife, no kids - I don't owe nobody nothin'.
You are talking to a man who can only play a plastic keyboard. Give me anything weighted and I've had it. I haven't got the strength in my fingers to push them down. So I don't get a lot of expression on the keyboard.
Life is all in the setup. A lot of people think I got the world handed to me, and I let them think exactly that whilst they handed me the world.
For sure I think the traditional martial arts is a good background to have and definitely allows me to do a lot different things inside the cage. My wrestling background definitely helps me out a lot, but I don't think either one led directly to MMA.
The keyboard is my whole life. My life is centered around either sitting at my keyboard or driving my car. Those are the two most important things, more than anything else. Being at my keyboard, it's the happiest time for me.
I have gone from local obscurity to national obscurity to international obscurity. Once I learn how to monetize obscurity, I will be rich.
I feel Mehr has brought in a lot of changes in me. She has made me understand a lot of things and there's a lot of gratitude towards the universe and people now. It has made me a better person and a better performer. It has made me realise the value of family and of my own parents.
Under Wenger I became the player that I am today because he's the guy that signed me at 16. I owe him a lot and all the time I spent here he made me play so much even when I was really young. Those are things you owe him back.
If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.
I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.
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