A Quote by Goran Dragic

I'm like, how do you say, a little version of Tony Parker. But I must work hard to be as good as he is. — © Goran Dragic
I'm like, how do you say, a little version of Tony Parker. But I must work hard to be as good as he is.
Anytime you come in and you have a player like Tony go down, it's always different. You can't be a Tony Parker, but I think it's just staying focused and doing what got me here.
Myself and Tony Parker must be aggressive and attack the rim, because when we do so, we are at our best, and that opens up perimeter opportunities.
I did have a sense of parental pride in that character. For 20 years now my films and the TV show have been the only version of Peter Parker. So I wanted this new version, for a new generation, to be really good. I still care about it.
My dad still hasn't heard 'I Love My Dad,' and I'm sure he'll say something like, 'It's good, but I love your version of 'Little Drummer Boy'!' My dad loves my live albums - he's obsessed with the live version of 'Little Drummer Boy' for some reason.
The fact that I fell into this seemed more like a stroke of good fortune than hard work. Not to say that I didn't work hard, but it wasn't like, "I'm going to be a musician."
Marvel is at its best when we see how an ordinary person has something extraordinary happen to them - whether it's Tony Stark or Bruce Banner or Peter Parker.
Peter Parker is sort of our ground-level view of this Marvel universe. You know what it's like to be in the penthouse with Tony Stark or have this god-like view like Thor, and I want to show what it's like for regular people in this world.
I didn't see a difference between Spider-Man and Peter Parker, to be honest with you. Peter Parker is always Peter Parker. When he's Spider-Man, he's still Peter Parker, no matter how he's dressed.
If you're French, you definitely have to respect Tony Parker for what he did.
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
Sleep and I do not have a good relationship. We have never been good friends. I am constantly chasing sleep and then pushing it away. A good night's sleep is my white whale. Like Ahab, I am also a total drama queen about it. I love to talk about how little sleep I get. I brag about it, as if it is a true indication of how hard I work.
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
I can honestly say that I've never seen such a transference, from person to character, as I have with James 'becoming' Tony Soprano. Because he was, of course, nothing at all like Tony in real life.
You know when something feels so good but you're afraid to feel good about it? So you kinda hold back? Everyone says, Congratulations, you must be so happy. And you say something stupid like, I'm just doing what little I can with what little I have.
I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance-- if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing -- I won't let you down. I promise.
I think that if you're just a good person, you work hard, you say "yes," and you are driven, you will eventually work your way to the top. At least that's how it's been for me.
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